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		<title>Pravaha Wiki  - Recent changes [en]</title>
		<link>https://hi.ikswiki.in/index.php?title=Special:RecentChanges</link>
		<description>Track the most recent changes to the wiki in this feed.</description>
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			<title>Beyond the Flawed Colonial Framework: Bhārata and Caste</title>
			<link>https://hi.ikswiki.in/index.php?title=Beyond_the_Flawed_Colonial_Framework:_Bh%C4%81rata_and_Caste&amp;diff=364&amp;oldid=361</link>
			<guid isPermaLink="false">https://hi.ikswiki.in/index.php?title=Beyond_the_Flawed_Colonial_Framework:_Bh%C4%81rata_and_Caste&amp;diff=364&amp;oldid=361</guid>
			<description>&lt;p&gt;BJS: convert (MAIN)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:41, 6 November 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;difficultyLevel=Advanced&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;difficultyLevel=Advanced&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;createdAt=2026-11-07 00:02:46&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;createdAt=2026-11-07 00:02:46&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;updatedAt=2026-11-06T18:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;38&lt;/del&gt;:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;08Z&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;updatedAt=2026-11-06T18:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;41&lt;/ins&gt;:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;44Z&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;clickCount=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;clickCount=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;fileType=docx&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;fileType=docx&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;fileId=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;849&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;fileId=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;852&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;mimeType=application/vnd.openxmlformats-officedocument.wordprocessingml.document&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;mimeType=application/vnd.openxmlformats-officedocument.wordprocessingml.document&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;sourceCollection=submissions&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;sourceCollection=submissions&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#fff; text-align:center;&amp;quot; |&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#fff; text-align:center;&amp;quot; |&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;BJS_41_F851_6aee1dea12554&lt;/del&gt;.jpg|center|298px]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;BJS_41_F854_6aee1f24c49ca&lt;/ins&gt;.jpg|center|298px]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px; width:35%;&amp;quot; | Title&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px; width:35%;&amp;quot; | Title&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot;&gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 49:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#fff; text-align:center;&amp;quot; |&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#fff; text-align:center;&amp;quot; |&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&quot;width:298px; height:168px; overflow:hidden; display:flex; align-items:center; justify-content:center;&quot;&amp;gt;&amp;lt;div style=&quot;width:298px; flex-shrink:0;&quot;&amp;gt;[[File:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;BJS_41_F850_6aee1d7827fec&lt;/del&gt;.mp4|thumbtime=0|center|298px]]&amp;lt;/div&amp;gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&quot;width:298px; height:168px; overflow:hidden; display:flex; align-items:center; justify-content:center;&quot;&amp;gt;&amp;lt;div style=&quot;width:298px; flex-shrink:0;&quot;&amp;gt;[[File:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;BJS_41_F853_6aee1f1f5a7b6&lt;/ins&gt;.mp4|thumbtime=0|center|298px]]&amp;lt;/div&amp;gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l144&quot;&gt;Line 144:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 144:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Colonialism was not limited to political control; it also involved the production of knowledge. Several authors, such as James Mill, depicted Bhāratīya civilisation as backward and stagnant. His depiction was rooted in his own concerns and in the categories drawn from British society. A tendency had developed that interpreted Bhārata through categories that were foreign to Bhāratīya experience. However, this tendency was not limited to missionary theology or political thought. The ‘intellectual’ tradition of Europe concerning the origins and relationships of people was rooted in this tendency itself.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Colonialism was not limited to political control; it also involved the production of knowledge. Several authors, such as James Mill, depicted Bhāratīya civilisation as backward and stagnant. His depiction was rooted in his own concerns and in the categories drawn from British society. A tendency had developed that interpreted Bhārata through categories that were foreign to Bhāratīya experience. However, this tendency was not limited to missionary theology or political thought. The ‘intellectual’ tradition of Europe concerning the origins and relationships of people was rooted in this tendency itself.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;span id=&quot;mosaic-ethnology&quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;span id=&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;collapse-&lt;/ins&gt;mosaic-ethnology&quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;= Mosaic Ethnology &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;div id&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;pravaha-collapse-3&quot; class=&quot;pravaha-collapse&quot;&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;div class=&quot;pravaha-collapse-title&quot;&amp;gt;&amp;lt;span class=&quot;pravaha-collapse-open&quot;&amp;gt;[[#pravaha-collapse-3|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&quot;pravaha-collapse-close&quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;&lt;/ins&gt;Mosaic Ethnology&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;div class&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;pravaha-collapse-content&quot;&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thomas Trautmann, a historian, explains European ethnology through the framework of ‘Mosaic Ethnology’. This framework was based on the biblical ‘Tree of Nations’, which was derived from the descendants of Noah. The notion of ‘Tree of Nations’ is often used to describe the origin and distribution of people in nations. The biblical story of the ‘Tower of Babel’, describing how humanity united under one language to build a city and tower reaching heaven, was employed to explain why people spoke different languages. Through this framework, nations of the world were understood as branches of one large family tree.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thomas Trautmann, a historian, explains European ethnology through the framework of ‘Mosaic Ethnology’. This framework was based on the biblical ‘Tree of Nations’, which was derived from the descendants of Noah. The notion of ‘Tree of Nations’ is often used to describe the origin and distribution of people in nations. The biblical story of the ‘Tower of Babel’, describing how humanity united under one language to build a city and tower reaching heaven, was employed to explain why people spoke different languages. Through this framework, nations of the world were understood as branches of one large family tree.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l179&quot;&gt;Line 179:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 182:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;span id=&amp;quot;collapse-the-bhāratīya-perspective&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;span id=&amp;quot;collapse-the-bhāratīya-perspective&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div id=&quot;pravaha-collapse-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;3&lt;/del&gt;&quot; class=&quot;pravaha-collapse&quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/div&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div class=&quot;pravaha-collapse-title&quot;&amp;gt;&amp;lt;span class=&quot;pravaha-collapse-open&quot;&amp;gt;[[#pravaha-collapse-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;3&lt;/del&gt;|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&quot;pravaha-collapse-close&quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;The Bhāratīya Perspective&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/div&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div id=&quot;pravaha-collapse-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4&lt;/ins&gt;&quot; class=&quot;pravaha-collapse&quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div class=&quot;pravaha-collapse-title&quot;&amp;gt;&amp;lt;span class=&quot;pravaha-collapse-open&quot;&amp;gt;[[#pravaha-collapse-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4&lt;/ins&gt;|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&quot;pravaha-collapse-close&quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;The Bhāratīya Perspective&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
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			<pubDate>Fri, 06 Nov 2026 18:41:45 GMT</pubDate>
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			<title>Beyond the Flawed Colonial Framework: Bhārata and Caste</title>
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{{DISPLAYTITLE:Beyond the Flawed Colonial Framework: Bhārata and Caste}}&lt;br /&gt;
{| class=&amp;quot;infobox&amp;quot; style=&amp;quot;float:right; clear:right; width:300px; max-width:300px; margin:0 0 1em 1em; border:1px solid #a2a9b1; background:#f8f9fa; font-size:90%; table-layout:fixed; border-collapse:collapse; border-spacing:0;&amp;quot;&lt;br /&gt;
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|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px; width:35%;&amp;quot; | Title&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Beyond the Flawed Colonial Framework: Bhārata and Caste&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Author(s)&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Raj Bijalwan&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Platform&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Bharatiya Jnana Sarita&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Categories&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | History &amp;amp; Civilization/Itihāsa &amp;amp; Sabhyatā&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Year&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | 2026&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Type of Article&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Repurposed Advanced&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Difficulty Level&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Advanced&lt;br /&gt;
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|}&lt;br /&gt;
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{| id=&amp;quot;pravaha-abstract&amp;quot; role=&amp;quot;region&amp;quot; aria-label=&amp;quot;Summary&amp;quot; class=&amp;quot;bjs-abstract-panel&amp;quot; style=&amp;quot;float:right; clear:right; width:300px; max-width:300px; box-sizing:border-box; margin:0 0 1em 1em; border:1px solid #d6a9bc; border-collapse:separate; border-spacing:0; background:#fff7fa; color:#202122;&amp;quot;&lt;br /&gt;
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! class=&amp;quot;bjs-abstract-heading&amp;quot; style=&amp;quot;padding:8px 12px; background:#efcddd; color:#202122; text-align:left; font-size:1.15em; font-weight:700;&amp;quot; | &amp;lt;span class=&amp;quot;bjs-abstract-controls&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;bjs-abstract-open&amp;quot;&amp;gt;[[#pravaha-abstract|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;bjs-abstract-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Summary&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
|- class=&amp;quot;bjs-abstract-content-row&amp;quot;&lt;br /&gt;
| style=&amp;quot;padding:14px 16px; background:#fff7fa; text-align:left; line-height:1.65; overflow-wrap:anywhere;&amp;quot; | &amp;lt;div class=&amp;quot;bjs-abstract-preview&amp;quot;&amp;gt;The article presents the way European frameworks shaped the colonial understanding of Bhārata and its social organisation. By relating to…&amp;lt;/div&amp;gt;&amp;lt;div class=&amp;quot;bjs-abstract-full&amp;quot;&amp;gt;The article presents the way European frameworks shaped the colonial understanding of Bhārata and its social organisation. By relating to the Doctrine of Limpieze De Sangre, the article tends to trace the root of the modern-day caste framework and its understanding. The article explores how ethnologists and colonial administrators played a key role in projecting their framework upon Bhāratīya society. The article points at the varṇa-jāti-kula framework of Bhārata while also emphasising the importance of ācāra, vyavahāra and sampradāya.&amp;lt;/div&amp;gt;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;introduction&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= Introduction =&lt;br /&gt;
&lt;br /&gt;
Principles of social order have guided civilisations and traditions across the world. In Bhārata, the word ‘caste’ continues to be a part of political, social, and economic discussions. This is largely because diverse Bhāratīya social distinctions have been misrepresented as a unified ‘caste system’. In their attempts to understand Bhārata, its systems, principles, traditions, and society, the Europeans tried applying their own conceptual frameworks to interpret it.&lt;br /&gt;
&lt;br /&gt;
What began with Vasco da Gama’s arrival in Calicut in 1498 in search of trade routes and spices eventually resulted in complete colonial rule over Bhārata. At the time of Vasco da Gama’s arrival, Bhārata was undergoing several significant changes on religious and social fronts.&lt;br /&gt;
&lt;br /&gt;
In Europe, the kingdoms of Spain and Portugal completed reconquering territories that had been ruled by Muslim rulers, which came to be called the ‘Reconquista’ in European history. The kingdoms began to create societies that were predominantly Christian. Subsequently, Jews and Muslims faced expulsion and were often left with the choice of converting to Christianity or enduring severe discrimination. These converts were referred to as ‘New Christians’. However, the older Christian families remained suspicious of these new Christians. This suspicion about them not being real Christians led to the formulation of an entire framework based on the doctrine of purity of blood.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;purpose-and-scope&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Purpose and Scope  ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The article highlights the frameworks employed by the Europeans to understand Bhārata and its civilisation. Through an examination of the European ‘Doctrine of Limpieza de Sangre’ (purity of blood), the article contextualises the lens through which the colonialists interpreted Bhārata and its social organisation. The article presents the history of caste discourses and seeks to locate their roots within the history of Europe itself. In an attempt to find answers, the article delves into global discourses to help comprehend how Bhāratīya social structure, its organisation, and its civilisation should be understood and represented.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;collapse-historical-background&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;pravaha-collapse-1&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-1|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Historical Background&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;doctrine-of-limpieza-de-sangre&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Doctrine of Limpieza de Sangre ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The doctrine of ‘Limpieza de Sangre’ emerged from the concept of purity of blood. This doctrine emphasised the significance of a person’s ancestry within society and its organisation. According to the doctrine, the Old Christians were considered to possess ‘pure blood’, while the descendants of Jews and Muslims were regarded as carrying an inherited connection to Jewish and Muslim ancestry. Consequently, the basis of social order shifted from faith and conduct to ancestry and was eventually institutionalised. Ancestral purity played a crucial role in military appointments, prestigious positions, government offices, and religious orders. The examination of family background became part of social life, resulting in limitations on social mobility.&lt;br /&gt;
&lt;br /&gt;
The development of this doctrine was not limited to the Iberian world. In the United States, the ‘one drop rule’ emerged, under which a person with a single known African ancestor could be legally classified as Black. This continued the pattern of ancestry determining a person’s status in society. A similar pattern can be seen in the racial sciences of the nineteenth century, in which descendants and ancestry played key roles in determining socio-cultural dimensions. The model of blood purity thus established a form of social relationship based on power and ancestry, marking a significant step towards the modern organisation of society [&amp;lt;nowiki/&amp;gt;[https://www.academia.edu/24987263/Iberian_Blood_Purities &amp;lt;u&amp;gt;1&amp;lt;/u&amp;gt;]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;the-western-lens&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== The Western Lens  ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The development and propagation of the ‘Doctrine of Limpieza de Sangre’ led Europeans to apply its ideas within a broader, universal context. Their conceptual vocabulary was shaped by Iberian history, influencing the way Europeans understood societies through the lens of their own perspectives and experiences. When the Portuguese arrived in Bhārata, they witnessed diverse social formations. However, they were not neutral observers; they carried with them the historical experiences of religious conflicts from Europe. The Portuguese/Spanish word ‘casta’ was already associated with lineage, descent, and notions of purity. The Portuguese viewed Bhārata through this lens of lineage and descent.&lt;br /&gt;
&lt;br /&gt;
Scholars such as Martik Fárek have explained how the European lens was employed to describe Bhārata. Several sixteenth- and seventeenth-century writers used terms like ‘caste of Brahmins’, ‘caste of Christians’, and ‘caste of Moors’, showcasing their understanding and interpretation of Bhāratīya society. These terms referred to groups understood through a framework of ancestry and lineage. This further demonstrates that the understanding of ‘caste’ did not originate in Bhārata, but was interpreted through familiar European concepts by Europeans themselves.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;missionary-literature&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Missionary Literature  ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The framework of caste also becomes evident in missionary literature. The proceedings of the Madras Missionary Conference of 1850 furthered this framework by defining caste as a distinction based on the purity of birth. It emphasised the idea of caste as essentially a religious institution, which was distant from the considerations of occupation, customs, kinship structures, or political organisation. ‘Caste’ was thus understood through the language of purity, pollution (idea of ritual impurity), and heredity.&lt;br /&gt;
&lt;br /&gt;
The writings and proceedings suggested the intellectual imagination of the missionary groups, revealing that their understanding of caste was rooted in the Christian theological debates. The repeated references to purity, impurity, contamination, and ancestral distinction reveal how they interpreted Bhāratīya civilisation and its social realities through their own intellectual framework. This further demonstrates that the European description of caste was moulded by the European-Christian conceptual framework.&lt;br /&gt;
&lt;br /&gt;
The interpretation of caste as a framework of purity and pollution, as understood in the proceedings of the Madras Conference, was endorsed by numerous missionary groups. They continued to characterise caste as a religious institution and maintained that it was based on birth-purity and pollution, suggesting a complete missionary consensus in their interpretation of caste.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;collapse-caste-and-interpretations&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;pravaha-collapse-2&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-2|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Caste and Interpretations&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The Madras Missionary Conference, through its interpretations and constant use of terms such as ‘birth-purity’, ‘pollution’, and ‘one blood’, presents how Bhāratīya social structures were translated into categories shaped by the Christian theological thought. Eventually, these interpretations of caste extended beyond the missionary literature.&lt;br /&gt;
&lt;br /&gt;
The colonial period saw the administrators, ethnographers, census officials, and sociologists employing the concepts rooted in Christian theological thought to explain Bhāratīya social structures. While missionaries characterised caste as a religious institution, the colonial ethnographers described social hierarchy by taking notions of purity and contamination into account. Influential scholars of the twentieth century placed purity and pollution at the centre of their discourses on caste. These writers employed different methods, objectives, and historical contexts to assign a central role to notions of purity, pollution, and hereditary status to ‘understand’ caste and social hierarchy in Bhārata. The recurrence of this framework points to the assumptions and theories inherited and continued by the officials and others.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;state-and-religion&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== State and Religion  ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Another misconception that arose from European Christian history was the separation between civil society and religion, whereby public or social life was seen as distinct from religious life and authority. Scholars such as Jakob De Roover and J. Sai Deepak have questioned the treatment of this distinction as a universal feature for all societies, arguing that it arose from theological and political developments of Europe. As they argue, this framework was in line with European scholars’ repeated assertions that caste was religious in nature rather than civil. However, this itself was a clear reflection of the conceptual framework employed by the Europeans to interpret Bhārata.&lt;br /&gt;
&lt;br /&gt;
The attempt to introduce concepts of State and religion showcases how social practices, customs, rituals, kinship networks, and local authorities were represented through the categories of religion, Church, State, and civil society.&lt;br /&gt;
&lt;br /&gt;
Eventually, Bhārata became a ground where British concerns, political debates, and reform aspirations could be laid and projected. The colonial categorisation in terms of religion, state, and related categories was also a way of portraying Bhārata as irrational, primitive, and incapable of self-governance&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;portrayal-of-bhārata&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Portrayal of Bhārata ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Colonialism was not limited to political control; it also involved the production of knowledge. Several authors, such as James Mill, depicted Bhāratīya civilisation as backward and stagnant. His depiction was rooted in his own concerns and in the categories drawn from British society. A tendency had developed that interpreted Bhārata through categories that were foreign to Bhāratīya experience. However, this tendency was not limited to missionary theology or political thought. The ‘intellectual’ tradition of Europe concerning the origins and relationships of people was rooted in this tendency itself.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;mosaic-ethnology&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= Mosaic Ethnology  =&lt;br /&gt;
&lt;br /&gt;
Thomas Trautmann, a historian, explains European ethnology through the framework of ‘Mosaic Ethnology’. This framework was based on the biblical ‘Tree of Nations’, which was derived from the descendants of Noah. The notion of ‘Tree of Nations’ is often used to describe the origin and distribution of people in nations. The biblical story of the ‘Tower of Babel’, describing how humanity united under one language to build a city and tower reaching heaven, was employed to explain why people spoke different languages. Through this framework, nations of the world were understood as branches of one large family tree.&lt;br /&gt;
&lt;br /&gt;
During the eighteenth and nineteenth centuries, this biblical model underwent a transformation and re-emerged through disciplines such as comparative philology, ethnology, and racial studies. Theological language evolved into scientific terms, and the racial theories of the nineteenth century emerged as a remoulding of older biblical models through a new scientific vocabulary. However, despite their differences, these doctrines, ethnological frameworks, the one-drop rule, and racial anthropology all shared a common trait of explaining society through ancestral legacy.&lt;br /&gt;
&lt;br /&gt;
These transformations also led scholars to identify relationships between Saṃskṛta and other European languages, contributing to the emergence of the concept of the Indo-European language family. Furthermore, these linguistic relations began to be understood in terms of racial theory.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;emergence-of-aryan-dravidian-racial-framework&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Emergence of Aryan-Dravidian Racial Framework  ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The linguistic category of the ‘Aryans’ was gradually transformed into a racial framework. Linguistic diversity became a ground for classification of people, races, and even civilisations. They treated language, ancestry, race and culture as crucial forces, giving rise to the Aryan-Dravidian framework. This also shaped much of the colonial perspective on Bhārata that prevailed in the nineteenth century.&lt;br /&gt;
&lt;br /&gt;
The doctrine of purity and Mosaic ethnology further laid the foundation for an understanding of social identity rooted in descent and ancestry. This understanding was later reworded in scientific vocabulary to suit modern frameworks. Although language evolved, the understanding of hereditary descent remained unchanged. Similarly, ideas of blood, lineage, and purity paved the way for the vocabulary of race and racial types. The concept of caste was introduced in defining distinct races of Aryans and Dravidians. Even social boundaries guided by customs, occupation, rituals, and locality were misinterpreted as racial separation.&lt;br /&gt;
&lt;br /&gt;
Over time, colonial scholars came to view caste as a system designed to maintain purity of Aryan blood and restrict intermixing with the non-Aryans. This contributed to the establishment of a powerful colonial narrative in which caste was presented as a racial framework based on blood and ancestry. The Census of India of 1901 included references to the ‘purity of blood’, suggesting how colonial descriptions interpreted social distinctions in Bhārata and reflecting the influential attempts to systematise Bhāratīya society [&amp;lt;nowiki/&amp;gt;[https://archive.org/details/in.ernet.dli.2015.55922/page/73/mode/2up?q=purity &amp;lt;u&amp;gt;2&amp;lt;/u&amp;gt;]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;the-role-of-ethnologists&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== The Role of Ethnologists ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The colonial ethnologists played a crucial role in seeking to explain Bhāratīya society through racial origins. Herbert Risley, a colonial ethnologist, asserted that physical characteristics could help in understanding social hierarchy through racial ancestry. Interestingly, several district-level census reports assessed the comparative state of communities through their customs and patterns, asserting that social status could be inferred from conduct and inherited ways of life. However, Risley considered these reports unreliable, suggesting his underlying colonial understanding of Bhāratīya civilisation.&lt;br /&gt;
&lt;br /&gt;
E. A. H. Blunt, another colonial writer, explained the origin of varṇas as a product of Aryan-Dravidian framework. In his assertions, caste was not related to customs, occupations, or locality. It was instead related to race, blood, colour, ancestry, and heredity, revealing how deeply racial theories had impacted colonial understandings.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;collapse-the-bhāratīya-perspective&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;pravaha-collapse-3&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-3|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;The Bhāratīya Perspective&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The traditional Bhāratīya jāti placed significance on descent, but this was in complete antithesis to European doctrines. The Sanātana framework emphasised the transmission of ācāra, which is related to customs, discipline, and the way of life, referring to the societal duties, virtuous behaviour, and prescribed rules rooted in the Vedas [&amp;lt;nowiki/&amp;gt;[https://www.wisdomlib.org/concept/acara &amp;lt;u&amp;gt;3&amp;lt;/u&amp;gt;]]. Birth was important, but ācāra remained at the core of this framework. It was through birth that a person entered a community, inheriting its customs, rituals, disciplines, forms of worship, cultural memory, and social obligations. The preservation and transmission of these shared practices ensured continuity.&lt;br /&gt;
&lt;br /&gt;
Jāti was a socio-cultural formation that was maintained through ācāra, vyavahāra (legal concepts), and sampradāya (distinct traditions and lineage) [&amp;lt;nowiki/&amp;gt;[https://www.wisdomlib.org/concept/vyavahara &amp;lt;u&amp;gt;4&amp;lt;/u&amp;gt;],[https://www.wisdomlib.org/concept/sampradaya &amp;lt;u&amp;gt;5&amp;lt;/u&amp;gt;]]. Status distinctions did exist, but their basis was different from that of blood, purity, or race. The framework based on blood implied a static outlook, whereas the ācāra framework pointed to dynamism, adaptation and evolution. This was largely because customs evolved, occupations changed, new rituals emerged, communities rose and declined, and new social formations also took shape.&lt;br /&gt;
&lt;br /&gt;
Traditional sources such as the Śukranīti presented jātis as numerous and dynamic, evolving through historical processes. The authority of kulācāra (tradition or practices of a kula) and lokācāra (general customs) was recognised by legal authorities, even when customs differed from earlier texts. It was through the continuous transmission and reinterpretation of practices that the social continuity was maintained.&lt;br /&gt;
&lt;br /&gt;
The traditional varṇa-jāti-kula framework acknowledged the significance of birth and lineage but related them primarily to patterns of conduct, obligation, discipline, and shared cultural practices. In the colonial framework, blood determined identity, but in the Bhāratīya framework, birth mattered because it symbolised a living tradition.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;conclusion&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= Conclusion =&lt;br /&gt;
&lt;br /&gt;
European interpretations understood Bhārata through intellectual traditions that had developed over a long period of time. They viewed Bhāratīya society through the lens of purity of blood and descent. This perspective evolved into an understanding of society in terms of race and biological inheritance. The history of caste is not the itihāsa of Bhārata. It is a clear representation of the history of Europe itself. While the colonial interpretation was far removed from Bhāratīya social reality, it revealed the misunderstandings and colonial ambitions of the colonialists. Bhāratīya social distinctions were understood, classified, and even represented globally through discourses shaped by European thought. Ironically, Bhāratīya civilisation has followed ācāra-based jāti since time immemorial.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;references&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= References: =&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ol style=&amp;quot;list-style-type: decimal;&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;blockquote&amp;gt;&amp;lt;p&amp;gt;Burk, R. Iberian Blood Purities. The Routledge Companion to Iberian Studies. [https://www.academia.edu/24987263/Iberian_Blood_Purities?source=swp_share &amp;lt;u&amp;gt;https://www.academia.edu/24987263/Iberian_Blood_Purities?source=swp_share&amp;lt;/u&amp;gt;]&amp;lt;/p&amp;gt;&amp;lt;/blockquote&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;blockquote&amp;gt;&amp;lt;p&amp;gt;Risley, H. H. (1903). Census of India, 1901, Vol. 1: Ethnographic Appendices. Superintendent of Government Printing. [https://archive.org/details/in.ernet.dli.2015.55922/page/73/mode/2up?q=purity &amp;lt;u&amp;gt;https://archive.org/details/in.ernet.dli.2015.55922/page/73/mode/2up?q=purity&amp;lt;/u&amp;gt;]&amp;lt;/p&amp;gt;&amp;lt;/blockquote&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;blockquote&amp;gt;&amp;lt;p&amp;gt;Wisdom Library. (n.d.). Ācāra: Significance and symbolism. [https://www.wisdomlib.org/concept/acara &amp;lt;u&amp;gt;https://www.wisdomlib.org/concept/acara&amp;lt;/u&amp;gt;]&amp;lt;/p&amp;gt;&amp;lt;/blockquote&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;blockquote&amp;gt;&amp;lt;p&amp;gt;Wisdom Library. (n.d.). Vyavahāra: Significance and symbolism. [https://www.wisdomlib.org/concept/vyavahara &amp;lt;u&amp;gt;https://www.wisdomlib.org/concept/vyavahara&amp;lt;/u&amp;gt;]&amp;lt;/p&amp;gt;&amp;lt;/blockquote&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;blockquote&amp;gt;&amp;lt;p&amp;gt;Wisdom Library. (n.d.). Sampradāya: Significance and symbolism. [https://www.wisdomlib.org/concept/sampradaya &amp;lt;u&amp;gt;https://www.wisdomlib.org/concept/sampradaya&amp;lt;/u&amp;gt;]&amp;lt;/p&amp;gt;&amp;lt;/blockquote&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Original Article Information ==&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Original Article Link:&amp;#039;&amp;#039;&amp;#039; https://www.brhat.in/dhiti/from-purity-of-blood-to-race-colonial-frameworks-and-the-construction-of-caste&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Original Article Details:&amp;#039;&amp;#039;&amp;#039; A historical examination of how colonial frameworks transformed the interpretation of jāti into the modern idea of caste.&lt;/div&gt;</description>
			<pubDate>Fri, 06 Nov 2026 18:38:09 GMT</pubDate>
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			<title>File:BJS 41 F850 6aee1d7827fec.mp4</title>
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			<title>Understanding Karṇa and the Flawed Modern Victimisation</title>
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			<title>File:BJS 40 F847 6aee1c38aacae.mp4</title>
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			<title>Agriculture and Ayurveda</title>
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			<description>&lt;p&gt;Imported from Bhāratīya Jñāna Saritā&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:37, 6 November 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
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| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Bharatiya Jnana Sarita&lt;br /&gt;
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The name Gaṇapati means ‘Lord of all Gaṇas’ or ‘Lord of All Living Beings’. As one of the most revered deities of Sanātana Dharma, Gaṇapati is also known by names like Gaṇeśa, Vināyaka, and Vighneśvara across the world. This elephant-faced younger son of Devī Pārvati and Bhagavān Śiva is also hailed as the Vighnarāja or ‘Lord of Obstacles’.&lt;br /&gt;
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However, Gaṇapati thought long and hard, then performed a circumambulation around Devī Gaurī and Bhagavān Śiva, stating that ‘his’ entire world comprised his parents, and so a parikramā of them met the terms of the competition. Bhagavān Śiva and Devī Gaurī accepted his indisputable logic and devotion towards them. Hence, they granted him not only victory, supremacy, or the right to get married first, but also the right to be worshipped first. This paurāṇika tale explains why Gaṇapati’s image often appears in temples, homes, gateways, and other places of importance.&lt;br /&gt;
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&amp;lt;span id=&amp;quot;epithets-of-gaṇapati&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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= Epithets of Gaṇapati =&lt;br /&gt;
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Gaṇapati is most commonly worshipped as Vighnarāja or ‘Lord of Obstacles,’ as he fulfills his duty to facilitate the devas and hinder the asuras in yajña, sacrifices, or virtuous acts to gain boons.  &amp;#039;&amp;#039;&amp;#039;dam&amp;#039;&amp;#039;&amp;#039; is a structure that impounds water or restricts its flow. Dams are classified into four basic types: [https://en.wikipedia.org/wiki/Gravity_dam gravity dams] are massive structures made of concrete or [https://en.wikipedia.org/wiki/Masonry masonry] that rely on their weight to resist the force of impounded water; [https://en.wikipedia.org/wiki/Embankment_dam embankment dams] are large [https://en.wikipedia.org/wiki/Earthworks_(engineering) earthworks] consisting of rocks, clay, sand, soil, or gravel; [https://en.wikipedia.org/wiki/Buttress_dam buttress dams] consist of a sloped, concrete face supported on the downstream side by a series of triangular [https://en.wikipedia.org/wiki/Buttress buttresses]; and [https://en.wikipedia.org/wiki/Arch_dam arch dams] use a curved concrete wall to transfer the weight of the water to the surrounding valley walls.&lt;br /&gt;
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Dams provide for [https://en.wikipedia.org/wiki/Irrigation irrigation], [https://en.wikipedia.org/wiki/Hydropower hydropower], [https://en.wikipedia.org/wiki/Water_supply water supply], [https://en.wikipedia.org/wiki/Flood_management flood management], [https://en.wikipedia.org/wiki/List_of_water_sports recreation], [https://en.wikipedia.org/wiki/Inland_navigation inland navigation], and [https://en.wikipedia.org/wiki/Fish_farming fish farming]. Irrigation is a critical application of dams: about 20% of the world&amp;#039;s arable land is irrigated using water from [https://en.wikipedia.org/wiki/Reservoir reservoirs] impounded by dams. Dams generate hydropower, providing a clean and renewable source of electricity, and also supply water for household and industrial needs.&lt;br /&gt;
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An early dam was [https://en.wikipedia.org/wiki/Jawa_Dam_(Jordan) Jawa Dam] in modern [https://en.wikipedia.org/wiki/Jordan Jordan], built around 3000 BCE. The [https://en.wikipedia.org/wiki/Hittites Hittite Empire] built several dams in modern Turkey between the 17th and 13th centuries BCE. In the 1st century CE, the [https://en.wikipedia.org/wiki/Roman_Empire Roman Empire] began building masonry gravity dams – typically with vertical faces on both upstream and downstream sides. In [https://en.wikipedia.org/wiki/Medieval_Europe medieval Europe], dams impounded water that powered [https://en.wikipedia.org/wiki/Water_wheel water wheels] for [https://en.wikipedia.org/wiki/Watermill milling] and [https://en.wikipedia.org/wiki/Mining mining]. The process of designing dams began to transform in the late 18th century from an informal practice to an [https://en.wikipedia.org/wiki/Hydraulic_engineering engineering discipline] rooted in science. In the 20th century, the widespread availability of concrete and heavy construction machinery led to the creation of many large-scale dam projects worldwide.&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Vināyako Vighnarājo Dvaimāturagaṇādhipaḥ ।&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;विनायको विघ्नराजो द्वैमातुरगणाधिपः ।&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Apyekadanto Herambo Lambodaragajānanaḥ ॥ (Amarakośa 1.1.40–41) ॥&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;अप्येकदन्तो हेरम्बो लम्बोदरगजाननः ॥ अमरकोशः । स्वर्गादिकाण्डः १.१.४०–४१ ॥&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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विनायक, विघ्नराज, द्वैमातुर, गणाधिप, एकदन्त, हेरम्ब, लम्बोदर तथा गजानन - ये सभी भगवान् गणेश के नाम हैं।&lt;br /&gt;
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Vināyaka, Vighnarāja, Dvaimātura, Gaṇādhipa, Ekadanta, Heramba, Lambodara, and Gajānana are the epithets of Gaṇapati listed in the Amarakośa. [https://archive.org/details/in.ernet.dli.2015.446136/page/n223/mode/2up [1]]&lt;br /&gt;
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While the Amarakośa lists his many names, each epithet and iconography of Gaṇapati encodes metaphysical, cosmological, and philosophical meanings that are central to Indic thought. The Nārada Purāṇa [https://archive.org/details/brahma-vaivarta-purana-gitapress-hindi/page/n415/mode/2up [2]] praises him in the following verse: [https://en.wikipedia.org/wiki/Stongdey &amp;#039;&amp;#039;&amp;#039;Stongdey&amp;#039;&amp;#039;&amp;#039;] is a village in the [https://en.wikipedia.org/wiki/Zanskar_district Zanskar] valley in [https://en.wikipedia.org/wiki/Ladakh Ladakh], India, situated on the right bank of the [https://en.wikipedia.org/wiki/Zanskar_River Zanskar River], about 18 km (11 mi) northeast of [https://en.wikipedia.org/wiki/Padum Padum]. Stongdey and the neighbouring village of Kumik had a combined population of 914 in the 2011 census. The local economy is largely agrarian, with snowmelt-fed irrigation compensating for the region&amp;#039;s low precipitation. The villages have schools, electricity and mobile-phone service. [https://en.wikipedia.org/wiki/Stongdey_Monastery Stongdey Monastery], founded in 1052, overlooks the village and is Zanskar&amp;#039;s second-largest monastic institution. This photograph shows Stongdey from the northeast, with the [https://en.wikipedia.org/wiki/Zanskar_Range Zanskar Range] in the background.&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Praṇamya śirasā devaṁ gaurīputraṁ vināyakam ।&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;प्रणम्य शिरसा देवं गौरीपुत्रं विनायकम् ।&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Sources for studying Ganapati iconography&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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For an &amp;#039;&amp;#039;&amp;#039;Indian Knowledge Systems / Bharatiya Jnana Sarita&amp;#039;&amp;#039;&amp;#039; context, it is useful to distinguish three layers:&lt;br /&gt;
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# Śilpaśāstra and Āgama texts — prescriptions concerning proportions, posture, attributes and ritual representation.&lt;br /&gt;
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# Purāṇic and other textual traditions — narratives and theological interpretations associated with different forms.&lt;br /&gt;
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# Material and regional traditions — sculptures, bronzes, paintings and temple images showing how these prescriptions were interpreted in different periods and regions.&lt;br /&gt;
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&amp;lt;span id=&amp;quot;elephant-head&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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== Elephant Head ==&lt;br /&gt;
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&amp;lt;blockquote&amp;gt;A long time ago on Mount Kailash, Parvati was alone in the home she shared with her husband, Shiva. Using her divine powers, she created Ganesh to keep her company while Shiva was away. One day she asked Ganesh to guard her door and not let anyone in while she bathed. As Ganesh stood guard, Shiva returned. Enraged upon being prevented from seeing his wife by a strange young boy, the quick-tempered Shiva beheaded Ganesh and his head flew far into the distance. Parvati was drawn out by the commotion and was understandably distraught on finding her child’s lifeless body on the floor. To appease his wife, Shiva found the first head he could and revived Ganesh. As a gesture of thanks for Ganesh’s bravery and loyalty, Shiva granted Ganesh with the gift of being worshipped first, before any other gods.&lt;br /&gt;
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&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
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&amp;lt;span id=&amp;quot;collapse-ganesh-symbols&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;div id=&amp;quot;pravaha-collapse-1&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-1|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Ganesh Symbols&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
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&amp;lt;blockquote&amp;gt;A plate of sweets at Ganesh’s feet symbolizes power and material wealth. He is often accompanied by his animal vehicle or &amp;#039;&amp;#039;vahana&amp;#039;&amp;#039;, a rat or mouse. On some rare occasions, Ganesh is shown with 5 heads. The seated Ganesh is preferred in homes where calm energy is usually sought, while businesses and workplaces may choose a standing or dancing rendition of Ganesh to invoke enthusiasm and vigor.&lt;br /&gt;
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Ganesha is a popular figure in [https://en.wikipedia.org/wiki/Indian_art Indian art].[https://en.wikipedia.org/wiki/Ganesha#cite_note-41 &amp;lt;sup&amp;gt;[41]&amp;lt;/sup&amp;gt;] Unlike those of some deities, representations of Ganesha show wide variations and distinct patterns changing over time.[https://en.wikipedia.org/wiki/Ganesha#cite_note-42 &amp;lt;sup&amp;gt;[42]&amp;lt;/sup&amp;gt;] He may be portrayed standing, dancing, heroically taking action against demons, playing with his family as a boy, sitting down on an elevated seat, or engaging in a range of contemporary situations.&lt;br /&gt;
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Ganesha images were prevalent in many parts of [https://en.wikipedia.org/wiki/India India] by the 6th century.[https://en.wikipedia.org/wiki/Ganesha#cite_note-43 &amp;lt;sup&amp;gt;[43]&amp;lt;/sup&amp;gt;] The 13th-century statue pictured is typical of Ganesha statuary from 900 to 1200, after Ganesha had been well-established as an independent deity with his own sect. This example features some of Ganesha&amp;#039;s common iconographic elements. A virtually identical statue has been dated between 973 and 1200 by Paul Martin-Dubost,[https://en.wikipedia.org/wiki/Ganesha#cite_note-44 &amp;lt;sup&amp;gt;[44]&amp;lt;/sup&amp;gt;] and another similar statue is dated 12th century by Pratapaditya Pal.[https://en.wikipedia.org/wiki/Ganesha#cite_note-45 &amp;lt;sup&amp;gt;[45]&amp;lt;/sup&amp;gt;] Ganesha has the head of an elephant and a big belly. This statue has four arms, which is common in depictions of Ganesha. He holds his own broken tusk in his lower-right hand and holds a delicacy, which he samples with his trunk, in his lower-left hand. The motif of Ganesha turning his trunk sharply to his left to taste a sweet in his lower-left hand is a particularly archaic feature.[https://en.wikipedia.org/wiki/Ganesha#cite_note-46 &amp;lt;sup&amp;gt;[46]&amp;lt;/sup&amp;gt;] A more primitive statue in one of the [https://en.wikipedia.org/wiki/Ellora_Caves Ellora Caves] with this general form has been dated to the 7th century.[https://en.wikipedia.org/wiki/Ganesha#cite_note-47 &amp;lt;sup&amp;gt;[47]&amp;lt;/sup&amp;gt;] Details of the other hands are difficult to make out on the statue shown. In the standard configuration, Ganesha typically holds an [https://en.wikipedia.org/wiki/Parashu axe] or a [https://en.wikipedia.org/wiki/Ankus goad] in one upper arm and a [https://en.wikipedia.org/wiki/Pasha_(Hinduism) pasha] ([https://en.wikipedia.org/wiki/Noose noose]) in the other upper arm. In rare instances, he may be depicted with a human head.[https://en.wikipedia.org/wiki/Ganesha#cite_note-51 &amp;lt;sup&amp;gt;[note 1]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
The influence of this old constellation of iconographic elements can still be seen in contemporary representations of Ganesha. In one modern form, the only variation from these old elements is that the lower-right hand does not hold the broken tusk but is turned towards the viewer in a gesture of protection or fearlessness (Abhaya [https://en.wikipedia.org/wiki/Mudra mudra]).[https://en.wikipedia.org/wiki/Ganesha#cite_note-52 &amp;lt;sup&amp;gt;[51]&amp;lt;/sup&amp;gt;] The same combination of four arms and attributes occurs in statues of Ganesha dancing, which is a very popular theme.[https://en.wikipedia.org/wiki/Ganesha#cite_note-53 &amp;lt;sup&amp;gt;[52]&amp;lt;/sup&amp;gt;] The most visible part of a dam is the barrier that retains water, but most dams contain additional structures that perform important functions. When a dam blocks a navigable river, [https://en.wikipedia.org/wiki/Lock_(water_navigation) locks] may be incorporated into the project to allow ships to pass through. [https://en.wikipedia.org/wiki/Fish_ladders Fish ladders] are included in many dams to enable fish to migrate upstream. [https://en.wikipedia.org/wiki/Spillway Spillways] are often included to safely release excess reservoir water downstream and prevent catastrophic overflows. Dam outlets allow reservoirs to be partially drained to purge sediment, perform maintenance, or increase water flow downstream.&lt;br /&gt;
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A dam may be deliberately removed for various reasons: if it poses a safety hazard, if the dam no longer fulfills its original purpose, to restore fish migration routes, or to improve the health of downstream rivers by improving sediment flow. Dams occasionally fail, resulting in flooding and loss of life. Many principles governing the design of safe dams have been developed based on [https://en.wikipedia.org/wiki/Lessons_learned lessons learned] from [https://en.wikipedia.org/wiki/Dam_failure dam failures].&lt;br /&gt;
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&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
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{| class=&amp;quot;wikitable infobox&amp;quot; style=&amp;quot;float:right; margin:0 0 1em 1em; width:320px;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; style=&amp;quot;text-align:center; font-size:120%; font-weight:bold;&amp;quot; | Agriculture and Ayurveda&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Category&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| Health &amp;amp; Nutrition/Bhaiṣajya, Ārogya &amp;amp; Āhāra&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Author&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| Sai Priya Chodavarapu&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Publication&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| Bhāratīya Jñāna Saritā&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Location&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| India&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Date&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| Fri Aug 09 2024&lt;br /&gt;
|}&lt;br /&gt;
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Concept and Classification of Āhāra&lt;br /&gt;
&lt;br /&gt;
In the ancient wisdom of Āyurveda, āhāra (food) is one of the pillars of life (upastambhas); the other two being sleep and a balanced sexual life. Food is crucial to health and well-being on a psychological, physical, and mental level. The classical texts of Āyurveda of 300 BCE – 700 CE dedicate elaborate sections to foods, classifying them according to their various qualities, their composition and effect on the body. They also contain prescriptions on how the food must be processed, cooked, and consumed based on the individual. The primary classification of food is based on its appropriateness to the body and mental constitution based on the pañcamahābhūta system (a system of classification based on the levels of the five constituent elements that compose any material in the universe) and the tridosa theories. The pañcamahābhūta are ākāśa, vāyu, agni, jala and pṛthvī. Āhāra is categorized as hitāhāra (wholesome) and ahitāhāra (unwholesome) and into other categorisations according to its prakṛti, and the pañcamahābhūta system. These domains are helpful to understand food, however, they are a holistic and integrated part of the whole — and tie into our physical, mental and spiritual well-being.&lt;br /&gt;
&lt;br /&gt;
What is “good food”?&lt;br /&gt;
&lt;br /&gt;
Clearly, “good” food according to Āyurveda depends on a number of factors, including but not limited to how and where such food is grown, and the manner, timing, and quantity in which it is consumed. It is not just what is consumed at the end of the chain, but rather, all the processes that produce it and its overall environmental impact. What we eat, therefore, is equally important as where it comes from. Selecting “healthy” foods over unhealthy can only have an impact if food is grown in a wholesome manner. “Good food” is, first and foremost, grown sustainably, ideally using traditional farming methods that are kind to the environment and to the farmer, that work alongside natural systems rather than push them into intensive, unsustainable agriculture.&lt;br /&gt;
&lt;br /&gt;
Food as Medicine&lt;br /&gt;
&lt;br /&gt;
This is perhaps the reason that agriculture occupied such a seminal place in the Indian lifestyle and consciousness. In the setting of the agrarian economy, the active agricultural/pastoral lives, with the consumption of wholesome food meant that comorbidities and chronic degenerative diseases were rarer, although lifespans were shorter. Today, the chemical-aided growth, the industrial processing of food, its surplus availability and the way retail markets are designed have led to an all-out health crisis. Due to top soil mineral depletion, the nutritional value of fresh produce has declined to such a significant extent that we now have to consume about ten times the weight to receive the same nutritional value1. Being starved of vitamins and minerals means that humans are overeating calorie-dense and nutrient poor food, leading to vicious lifestyle disorders. The entire food and dairy industry, including both its production and consumption has become a centralized and toxic capitalist enterprise with inadequate focus on environmental and health impact. Currently, dietary intake is not in keeping with nutritional recommendations. A large proportion of modern diets consists of high-glycemic-index foods that are low in fiber and high in salt, sugars, and oils. This, coupled with the imbalance in caloric intake with caloric expenditure is exacerbated by the sedentary modern lifestyle and leads to a number of degenerative and lifestyle disorders.&lt;br /&gt;
&lt;br /&gt;
This is the reason that ancient Indian texts, including the Vedas, the Purāṇas and Itihāsa focus on relaying messages of interdependence and respect for nature, and the centrality of food to civilization and in the circle of life. There is sufficient evidence of the interconnectivity of energy systems through ritual and religious practice. Vedic rituals are centered around pleasing the gods though praise and offerings for rain or a bountiful harvest. A verse in Ṛgveda sums up this message. It says, “Let our plows open the soil happily, let our plowman walk happily with the bullocks, and let clouds soak the land with water…”&lt;br /&gt;
&lt;br /&gt;
Apart from mentions in religious texts, agriculture, or kṛṣi, has a large body of specialized literature as well. The texts that have survived include Kṛṣiparāśara, Kaśyapiyakṛṣisūkti, Kṛṣi Gītā, Vṛṣṭivijñānam, Kaśyapīyakṛṣipaddhati, Kauṭilya’s Arthaśāstra, the Sangam literature of early Tamils, Manusmṛti, Varāhamihira’s Bṛhatsaṁhitā, Amarakoṣa, and Surapāla’s Vṛkṣāyurveda. These texts provide information about agriculture, horticulture, arboriculture and plant biodiversity. In addition, treatises on horses by Śālihotra and on elephants by Pālakāpya are also available. We get a wealth of information on agricultural practices, tools, and a multitude of other subjects such as manure, pests, the types of crops and the types of land, sowing and seeds, irrigation, etc. from these texts.&lt;br /&gt;
&lt;br /&gt;
India celebrates a whole host of harvest festivals that sacralize the act of farming and embody gratitude for the life-giving force that is the mother earth. The cow, that occupies a central position in any agricultural unit, whose waste is an integral biofertilizer, is the most sacred of animals to our civilization, equated to a mother and epitomizing the role of a provider and a generous giver in our purāṇas. Since survival was reliant upon the condition of the land and the ecosystem, traditional farming relies on the harmonious management of land, air and water. Only when a deeper, more spiritual connection with land, livestock and ecology itself is revived and promoted can there be a natural shift towards sustainable agriculture.&lt;br /&gt;
&lt;br /&gt;
A Shift to Organic Farming&lt;br /&gt;
&lt;br /&gt;
There has been, veritably, a shift in public discourse to pay more attention to the food we eat. The exponentially burgeoning consumer market for “organic” produce and grains is proof of a shift towards this — whether these products are truly organic in every respect or not, is a different issue. We strive towards svāsthya, the state of being firmly established in one’s own natural self is a state of optimal health according to Āyurveda. In order to achieve this, one must strike a balance between structural and physiological factors, metabolic and excretory processes, body tissues, the senses and the mind, and attain a state of self-awareness and contentment.&lt;br /&gt;
&lt;br /&gt;
Authored by Sai Priya Chodavarapu.&lt;br /&gt;
&lt;br /&gt;
Published by Brhat.&lt;/div&gt;</description>
			<pubDate>Thu, 05 Nov 2026 05:29:12 GMT</pubDate>
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			<title>Conversion to Hindu Dharma - Sugama Ji’s Journey</title>
			<link>https://hi.ikswiki.in/index.php?title=Conversion_to_Hindu_Dharma_-_Sugama_Ji%E2%80%99s_Journey&amp;diff=349&amp;oldid=0</link>
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! colspan=&amp;quot;2&amp;quot; style=&amp;quot;text-align:center; font-size:120%; font-weight:bold;&amp;quot; | Conversion to Hindu Dharma - Sugama Ji’s Journey&lt;br /&gt;
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|-&lt;br /&gt;
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| Fri Aug 09 2024&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Introduction&lt;br /&gt;
&lt;br /&gt;
There were many disciples of Amma who came to serve her at the World Hindu Congress (WHC) in Bangkok, in November 2023. It was a wonderful sight seeing them in handloom saris, bindis, vibhutis, or dhotis as the case maybe, walking in groups and spreading good cheer all around. Some helped in handing out audio translation devices, some in offering ‘Amma’ shoulder bags, many assisted in giving books and literature to the attendees, and many more simply came as attendees to participate in this beautiful gathering.&lt;br /&gt;
&lt;br /&gt;
Looking at them, what struck me was: Why? And How?&lt;br /&gt;
&lt;br /&gt;
Why had these non-Indians taken the trouble to leave all that was familiar and join Amma in her journey? What had they come seeking, what had attracted them to her (and her teachings) in the first place? How was this personal journey made and did it lead to any spiritual transformation?&lt;br /&gt;
&lt;br /&gt;
Such questions are easy to ask, but the answers take time to form, and even longer to articulate. I was in no hurry when I requested Sugama ji, one of the many disciples of Amma who was there, if she could decipher for me all this that I was curious about. We met over a short tea break between sessions and hardly had time to have a proper conversation. Yet, in those few minutes of back and forth, we both understood where we stood with respect to sanatana dharma, and this was enough. I ended up requesting her to pen her thoughts and her life’s journey which could be inspirational to the youth of today, especially the Indian urban young.&lt;br /&gt;
&lt;br /&gt;
Once we got back to our respective cities, we continued to be in touch. We planned to meet up in person, but my plans to visit Kollam and Amritapuri did not come to fruition. Meanwhile Sugama ji fell ill. During her confinement, she texted me saying that she would wish to write for our blog and answer all my queries, and maybe that could inspire one or two youngsters to give Vedanta a chance. Here is her account, and I am forever indebted to her for trusting Brhat with her story.&lt;br /&gt;
&lt;br /&gt;
Sugamaji’s journey into Sanatana Dharma (in her words)&lt;br /&gt;
&lt;br /&gt;
My mother was pregnant at 17 and no one in our village knew who my father was.&lt;br /&gt;
&lt;br /&gt;
She and I lived at my grandma’s farm in France; it was a very simple and happy life. I was baptised to please my grandmother but apart from going to church service every Sunday there were no other religious or spiritual practices in the family, and my mother never believed in any God anyway. I would spend most of my days playing in nature, or with my sweet grandmother who had the desirable quality of accepting each and every person just as they are. Meanwhile my mother would go to work to provide for our needs.&lt;br /&gt;
&lt;br /&gt;
Later my mother moved to the city with me, and I often had to deal with ruthless and aggressive kids. That is when I started realizing that there was so much hatred and suffering in this world. I used to ask myself:Why is there so much cruelty from man towards nature, and towards other human beings including children? If there was a God how could he allow this to happen? If any God was in charge of this whole creation he would have to be cruel and insane. No loving God would allow so much suffering in his own creation.I became an atheist.&lt;br /&gt;
&lt;br /&gt;
During my teenage years I went through a painful identity crisis: I longed to know who my father was. For many years I thought that if I could only get to know who my father was, then I would finally know who I was. I searched for the truth, but after many years I ultimately had to accept that only my mother knew him – and she wasn’t telling. I resented my mother for not sharing this important information with me. After all, I felt it was not only her story but also mine!&lt;br /&gt;
&lt;br /&gt;
I thought the world was not as it should be, people were not as they should be and there could be no such thing as a God. That a loving God was a fairytale. I felt hurt and angry at life. My family wanted me to go to university, but at age eighteen, there was nothing I could think of that I wanted to do for the rest of my life, and so despite my mother’s wishes, I left home and moved abroad.&lt;br /&gt;
&lt;br /&gt;
For four years I lived and studied as an au pair girl in England and later in Spain. I lived with very wealthy families; some of them were very famous, young, and beautiful with gorgeous healthy children. They had everything one could desire! They lived in luxurious expensive areas and could afford pretty much anything; houses, clothes, cars, holidays, you name it… What more was there to desire for such people?&lt;br /&gt;
&lt;br /&gt;
Peace and happiness.&lt;br /&gt;
&lt;br /&gt;
These people were neither peaceful nor happy, it was hard to believe. In this world where so many run behind money, beauty, and fame thinking that these will bring them lasting happiness and fulfillment, those chosen ones I met who had all of these were neither happy nor satisfied. Their lives were just as miserable, if not more so, than the so-called ‘ordinary people’ who lived a more simple life. They would cry, argue, feel miserable and be depressed inside expensive houses while having to pretend to the outside world that they had it all. What more can you do once you have everything that everyone else desires, but you still are not happy or peaceful? How to numb the pain? I now understood why millionaires often destroy their lives with drugs or even commit suicide in luxurious mansions.Amma says that “..even the highest heaven turns into hell if the mind is agitated..”I learnt a lot from those years abroad, the most important thing I learned was that wealth, fame, health, a chosen partner, all these things may bring some satisfaction and make our life more comfortable, but they do not give us lasting peace or happiness. Then I wondered, “Why do so many people use all their life force to maintain a style of life that does not even make them peaceful or happy for long? Why waste so much time and energy to get things, objects and entertainments that do not give any lasting peace or happiness?!”&lt;br /&gt;
&lt;br /&gt;
For decades, society and the media has brainwashed us into believing that happiness comes from acquiring more things and external circumstances, and because the same messages are being shown over and over again in various ways. we end up believing it is the truth.Amma says: “What is it that man craves? What is it that is most absent in this world? Peace is it not? There is no peace anywhere, neither within nor without. To live life fully, one needs peace and love. Peace is not something to be gained when all desires are fulfilled or when all problems are settled. As long as the mind is there, desires will come up and problems will exist. Peace is something that arises when all the thoughts settle, and you transcend the mind.”Do we need to offer our life on the altar of consumerism to finally understand that this human life is not meant for us to only consume and possess?!&lt;br /&gt;
&lt;br /&gt;
We can learn - just by watching the lives of those considered ‘successful’ by society - and through using our discernment, we will soon realize that there is much more to life. Of course we all need our needs to be taken care of and that no one on this earth should ever suffer from lack of food, shelter, education or medical care. I do not mean that one should not have goals, a family, a meaningful job, or a comfortable life; but these are certainly not the ultimate source of happiness in life. We are not born to only consume and entertain ourselves! There is a deeper purpose to our existence.Amma says: “Bliss is our true nature, not sorrow. But something has happened to us. Everything has been turned upside down. Happiness has become a ‘strange’ mood while sorrow is considered to be natural. How can anyone who is looking for happiness in the things of the world attain the joy that doesn’t belong to this world?”Living with so-called ‘successful people’ helped me understand that my life and happiness are my own responsibility. I could not change the world but I could definitely try to improve myself. So I started observing my inner world, my actions, thoughts and emotions and also being more aware of the food I was consuming. That is also when I stopped eating meat.&lt;br /&gt;
&lt;br /&gt;
I was thirty when a friend I had met in a therapy workshop mentioned that she was going to see Amma, Mata Amritanandamayi Devi, and I strongly felt that I should go too.&lt;br /&gt;
&lt;br /&gt;
Attending Amma’s program was like being transported to a heavenly planet without any previous announcement! What an overwhelming experience it was to watch such a radiant divine being embrace each and every person with the same quality of Love - and all this for hours and hours without ever showing any sign of aversion, exhaustion or lack of enthusiasm!&lt;br /&gt;
&lt;br /&gt;
For three days and nights my whole being soaked in Amma’s beautiful love and presence. Tears slowly and silently rolled down my cheeks. I had never met any such unconditional love before, I didn’t even know that such love and radiance existed! But Amma had come to my city and She was making herself so available to all…&lt;br /&gt;
&lt;br /&gt;
After those three days I never suffered again from not knowing who my father was. I finally understood that there was nothing to forgive and my relationship with my mother improved greatly. Many people die with the regret of not having known or met one or both of their parents.&lt;br /&gt;
&lt;br /&gt;
Due to Amma’s Grace, having this regret will not be my destiny.&lt;br /&gt;
&lt;br /&gt;
Everything was very unfamiliar at Amma’s program: the huge crowds, Sanskrit and other strange sounding languages, meditation, peace prayers, devotional singing, puja… The only thing I knew was that this atmosphere was just divine and I experienced peace and love like never before.&lt;br /&gt;
&lt;br /&gt;
I received mantra diksha from Amma, bought the Archana book and audio, acquired information about the I AM meditation technique and bought a few spiritual books. I wanted to try all these practices to see if they would work for me…and they changed my life! For nine more years I kept working in the same cell phone internet company 12 hours a day, 4 days a week, and I would continue to do my daily two and a half hours of sadhana without fail. I was so passionate that during my lunch break I also would chant the 108 names of Amma in Sanskrit and read Amma’s teachings, Bhagavad Gita and other spiritual books. At night I would listen to and sing bhajans. My work became an opportunity for practicing seva and slowly I became much more patient and equanimous. But I missed Amma very much, so as soon as I could afford it I travelled to Amritapuri, Amma’s ashram in Kerala.&lt;br /&gt;
&lt;br /&gt;
Getting down from the plane the very first time, I remember feeling that India had a beautiful deep energy, and when I reached Amritapuri I felt like I was in a divine realm. After that first visit I spent every possible holiday there. And later I asked Amma where the most dharmic place to live was, and Amma enthusiastically answered ‘Amritapuri’. My dream was coming true! Six months later I quit my job, packed a few belongings, and came to Amritapuri to live the monastic way of life. I don’t think that many ashrams would take thirty-nine-year-old people but Amma accepted me.&lt;br /&gt;
&lt;br /&gt;
I asked for a name and She named me Sugama (the one who easily follows the path that leads to God). I have been living the life of a monastic in Amritapuri for thirteen years now, and moving here was the best decision I ever made. It has drastically changed me and my life for the better.Amma says that: “Vedanta is a way of living, an experience, the supreme experience, and evenness of mind in all situations of life”.From my own experience I can say that the greatest treasure that Bharat has to offer to the world is the practice of Sanatana Dharma under the guidance of a realized master. But nowadays there are so many fake gurus too, and we see many Indians running behind the Western dream … and I understand. What saddens me is that they go to the West but they do not take with them the invaluable treasure of Sanatana Dharma. It is like leaving a huge pot filled with gold behind to run behind a pot filled with mere chocolates.&lt;br /&gt;
&lt;br /&gt;
The ancestors, the sages, and rishis of Bharat left humanity the greatest treasure of all: Sanatana Dharma. This greatest possible human realization is every person’s birth right: A life free of suffering, self-realization.Amma says that formal education teaches how to earn a living and Sanatana Dharma teaches how to live a fulfilling and meaningful life.To understand and practice Sanatana Dharma one doesn’t need to live in an ashram, change one’s religion, or reject his or her native culture. Sanatana Dharma is all inclusive and it belongs to all of humankind, whoever seeks peace and freedom from sorrow is welcome, no one is ever unfit or rejected…sincerity and discernment are all that is needed. There is no force in Sanatana Dharma. I believe that genuine peace is only possible when we nurture our spiritual life.&lt;br /&gt;
&lt;br /&gt;
We like watching heroes in movies but at some point we need to live our own life, don’t we? We don’t want to stay seated on the couch with our devices, forever watching other people’s lives unfold, living a virtual life only. We truly can become the hero of our own story when we shape our life in such a way that we become our own super- hero. Sanatana Dharma teaches us how to live such a super-hero’s life. It definitely helped me understand myself and the world better.&lt;br /&gt;
&lt;br /&gt;
But like any super-hero we have our own enemies to face: inner negativities such as anger, sadness, egoism, impatience…there are plenty. No matter how much we may achieve in life, our negativities and hurts will follow us wherever we go - if we ignore them. Just like an unattended infected wound, they will only get worse with time. Sanatana Dharma is only for the courageous ones who are willing to look within, face their inner negativities and put efforts to remove them. I don’t know by what incredible grace I could meet Amma and that my life changed so positively.&lt;br /&gt;
&lt;br /&gt;
I think that a genuine Guru is essential for a seeker of Truth and Love. The Guru already has reached the goal, She knows the way, She teaches through example and possesses many divine qualities. Amma’s daily sacrifice for humanity is deeply inspiring. She cares for each and every creature of this world. To Her nothing and no one is insignificant. She tirelessly dedicates her life to alleviating as much of people’s suffering as She possibly can. She helps the neediest by providing free food, healthcare, shelter, education…and comes to the rescue of so many people (including Westerners like me!) who have no spiritual education or background at all.&lt;br /&gt;
&lt;br /&gt;
So everyday I just keep trying to practice Sanatana Dharma in a relaxed way under the loving and protecting wings of my dear Guru Amma. I usually dress simply, with the traditional white ashram saree and a bindi made of vibhuti blessed by Amma. My daily routine generally includes Meditation, plenty of mantra Japa, Archana, reading or listening to spiritual teachings and various Sevas. Every evening we all gather with Amma and She guides us for Meditation, Satsang, Bhajans and Arati. Her divine presence is the greatest inspiration of all and transforms and heals many hearts. Even after so many years Amma radiates unequalled divine Love. There is so much more love, satisfaction, inner peace and equanimity in my life and as a result so much tension, pain and inner enemies have lost their power over me.&lt;br /&gt;
&lt;br /&gt;
It also was a shock to me to realize that many Indians nowadays ignore what Sanatana Dharma really is and do not practice it. I believe that previously, parents and grandparents would convey the values and stories to youngsters, but this seems to have disappeared for some reason. So India’s greatest treasure - that no invader over centuries could ever snatch away - is now mostly unknown, and is even misunderstood by many Indians themselves.Amma says that: “The happiness that we gain from the outer world is fleeting; it never stays with you for long. It is there for one moment and the next moment it is gone. But, spiritual bliss is not like that. Once the final breakthrough happens, that is, once you transcend the limitations of body, mind and intellect, once you reach that state, there is no return. The bliss is forever. And it is infinite.“I am forever grateful to Bharat and to my Guru Amma for accepting me and lovingly guiding me on my spiritual journey&lt;br /&gt;
&lt;br /&gt;
aum lokah samastah sukhino bhavantu ||&lt;br /&gt;
&lt;br /&gt;
Conclusion&lt;br /&gt;
&lt;br /&gt;
I was overwhelmed with Sugama ji’s story when I read it. My heart was content knowing that she had found her truth and her guru. That she was indulging in seva at the ashram that was to her karma bhumi and punya bhumi both.&lt;br /&gt;
&lt;br /&gt;
How diligent and persevering of her that she continued her sadhana for nine long years before she could even step into Bharat. How fortunate that she was able to find a guru with whom she resonated, and gave it her all to study. How wonderful that she now enjoys the company of such an elevated being.&lt;br /&gt;
&lt;br /&gt;
Sugama ji’s primary purpose in penning this personal account is to showcase the grandeur of sanatana dharma and Vedanta. Of how someone who was in no way connected to Hindus or Hindu practices has now been able to assimilate and reflect upon the core teachings. Her desire is to let people know that there is no room for permanent happiness in temporary acquisitions and material things. And of course, for them to get on a ‘search’ for the permanent, just like she did.&lt;br /&gt;
&lt;br /&gt;
In that, I believe she has been successful. I was her first reader, and reading her account made my resolve towards my own sadhana very strong. Her story will undoubtedly inspire many people out there who are unsure of what life is, and they will find that Hindu Dharma offers permanent solution to life’s problems in the here and now, and that this teaching is easily available today both online and in person.&lt;br /&gt;
&lt;br /&gt;
There are really no excuses anymore to not be our own superhero.&lt;br /&gt;
&lt;br /&gt;
Authored by Sugama and Kavita Krishna Meegama.&lt;br /&gt;
&lt;br /&gt;
Published by Brhat.&lt;/div&gt;</description>
			<pubDate>Thu, 05 Nov 2026 05:28:26 GMT</pubDate>
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			<title>Conversion to Hindu Dharma - Case for Sanatana</title>
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{| class=&amp;quot;wikitable infobox&amp;quot; style=&amp;quot;float:right; margin:0 0 1em 1em; width:320px;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; style=&amp;quot;text-align:center; font-size:120%; font-weight:bold;&amp;quot; | Conversion to Hindu Dharma - Case for Sanatana&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Category&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| Philosophy &amp;amp; Cognition/Ānvīkṣikī &amp;amp; Darśana&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Author&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| Ghora Angirasa and Kavita Krishna Meegama&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Publication&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| Bhāratīya Jñāna Saritā&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Location&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| India&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Date&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| Fri Aug 09 2024&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Conclusion&lt;br /&gt;
&lt;br /&gt;
In previous articles, we discussed the issue of converting to Hindu Dharma in the context of certain texts. If anything, it is the starting point for a deeper reﬂection and conversation.&lt;br /&gt;
&lt;br /&gt;
While being mindful of our texts, we can also be respectful of the growing needs of a silent majority who want to join the Hindu fold. For example, the sacrifices to the Gods and ancestors mentioned in Indra’s discourse are hardly practiced even among traditionalist Hindus. Therefore, we must be able to adapt to today’s context. Over the last millennium, it is the temple that has become the focal point of Hindu activity, and here is where we must pay attention, especially outside of India.&lt;br /&gt;
&lt;br /&gt;
In Singapore, one may, not infrequently, observe those of non-Indian origin (particularly those of Chinese origin) at Hindu temples, who participate in the modern version of kāmya arcana (worship), where the worshipper submits his and others’ names and respective nakṣatra (birth-asterism) details to the arcaka (temple priest), who will recite the names and nakṣatra-s and seek the deity’s blessings for the intended beneficiaries.&lt;br /&gt;
&lt;br /&gt;
These very individuals will also contribute monetarily to the arcaka-s and the temple and will also participate in other ritual services hosted by the temple. It may be said that they are fulfilling the obligation to participate in rituals for the Gods and heartily pay the dakṣiṇā (fees) to the priests acting for them, as was stated by Indra in his discourse to Māndhātṛ&lt;br /&gt;
&lt;br /&gt;
The forms of the obligations have clearly changed over the course of time but the substance remains intact. However, it must be noted that many of the non-Indian visitors to the temple, though sincere and active, are not Hindus on paper and they are not required to be Hindus officially.&lt;br /&gt;
&lt;br /&gt;
In Eugene, OR (USA), there are two shrines one for Dakṣiṇāmūrti and other for Devi with Umā Maheṣvara. Those who conduct abhiṣeka, perform the daily morning seva and rituals for the deities are all non-Indian vaidika-s. From the chanting of appropriate śloka-s and mantra-s to the alankaraṇa, ending with the offering of naivedyam and puṣpānjali three times a day at sandhyākālam, all of this is done with śraddhā by the devotees of this small town in the Pacific NorthWest. That they have been able to continue this worship for close to fifteen years without fail is commendable indeed. arcaka-s from the Dakṣiṇāmūrti shrine in Saylorsburg, PA (USA) visit the temple regularly, and have also conducted the Kumbhabhishekam to purify the premises of any doṣas that might have been committed inadvertently. There is a roster in place to undertake pūja on a daily basis for which there are many enthusiastic signators. We will soon look into how Guru Pūrnima was celebrated this year in this small college town which is also the hipster food capital of the Western Hemisphere, to appreciate how non-Indian Hindus are faring as practitioners outside of Bhārat.&lt;br /&gt;
&lt;br /&gt;
Meanwhile devotees all over North America, be they Indian or not, have access to more than 1450 Hindu temples across the continent which are open to everyone (Global Hindu Temples Directory, 2015). The magnificent Kauai Adheenam comes to mind instantly, situated on the island of Hawaii. Since many Indians themselves do not know of their janma nakṣatra or gotrā, the pūjāris are quite lenient and simply ask for a name and sometimes an ‘English’ birthday to convey their prayers to their iṣṭa devatā. Thus, in practice there is no restriction on anyone wanting to enter the Hindu universe, they are free to come to temples, participate in all activities, festivities and rituals, many marry Indian Hindus and there is no resistance or insistence on the part of Hindus for the spouse to ‘convert’ either.&lt;br /&gt;
&lt;br /&gt;
So while the detractors will point a finger and say – what about caste? (which is what they say to anything connected to Hindus anyway!) We can safely answer that ‘caste’ does not matter and if it does then this matter is easily resolved. If there are sufficient numbers in a particular group of Hindus sharing a certain background, they may form a ‘caste’ or ‘community’ of their own. At any rate, the status quo approach is where individuals are free to carve out their own spaces in the vast peripheries of Hindudom, provided they respect the ‘traditional’ core that has preserved the traditions. There is also a duty on converts to be sincere and earn the trust of the traditional practitioners and negotiate, on an individual basis, a more deeply entrenched role and better access in traditional spaces. While we may deem active participation in rituals as sufficient proof of someone’s religious conviction, it would be important for an individual to signal his or her commitment to Hindu Dharma by formalizing the conversion at an official level.&lt;br /&gt;
&lt;br /&gt;
In this context, it would be prudent to note that Indra’s discourse to Māndhātṛ is in response to the latter’s question as to how he should exercise his royal authority over the dasyu-s who are subjects in his dominion and how he should establish them in the dharma. How is this relevant to the issue of formal, official conversion?&lt;br /&gt;
&lt;br /&gt;
With the end of Hindu monarchies, the absence of a Hindu state and the generally decentralized organization of Hindus across India and the world, it becomes the duty of Hindu communities and temples to encourage worthy non-Hindus (whether of indian origin or otherwise) to complete their conversion at the official level so that they become full members of the Hindu communities or institutions (i.e. temples, etc) they associate with on a frequent basis.&lt;br /&gt;
&lt;br /&gt;
This of course requires a separate conversation on the role of Hindu temples and other community institutions, how they have fared in India and beyond as propagators of Hindu Dharma and the direction they ought to take moving forward.&lt;br /&gt;
&lt;br /&gt;
Summing up this discussion apart from what the scriptures say on what constitues a Hindu vaidika belief system, in today’s globalized world what we observe is the stark difference between the powerful predatory evangelizing forces of Christianity and Islam versus the pagans. Being pagan (a much reclaimed word currently) would automatically align us with all the natives of the world. Native Americans, Australians, Africans, Europeans, Asians, all of us share something in common – in that we are not proselytizers, in that we do not believe that those who follow a different path or god/s are headed for jahannam/ hell. We do not believe in a single male god sitting in jannat/ heaven. And our end goal in life is not to be sheep at the feet of a chosen son or the pleasures of female virgins a la a chosen prophet.&lt;br /&gt;
&lt;br /&gt;
Our respect and love for nature, for mother earth, automatically connects us and makes us ecological warriors. Our reverence for elders and respect for customs and traditions makes us a celebratory joyous people. We do not restrict our beliefs only to what we can see nor to plain rationality. We are not bound by time and space in our imaginations. We believe in the magic of the beyond as much as the beauty of our existence. We have more in common with the modern young men and women of today than do the Abrahamics for whom sin and repentance is the essential aspect of life and living.&lt;br /&gt;
&lt;br /&gt;
Given all this, we only need to extend an encouraging hand to all those eagerly looking in from the other side to let the crossing of the bridge to happen seamlessly.&lt;br /&gt;
&lt;br /&gt;
Authored by Ghora Angirasa and Kavita Krishna Meegama.&lt;br /&gt;
&lt;br /&gt;
Published by Brhat.&lt;/div&gt;</description>
			<pubDate>Thu, 05 Nov 2026 05:27:40 GMT</pubDate>
			<dc:creator>Bjsbot</dc:creator>
			<comments>https://hi.ikswiki.in/index.php?title=Talk:Conversion_to_Hindu_Dharma_-_Case_for_Sanatana</comments>
		</item>
		<item>
			<title>Experiencing Vismṛti and challenges in Bhāratīya Education</title>
			<link>https://hi.ikswiki.in/index.php?title=Experiencing_Vism%E1%B9%9Bti_and_challenges_in_Bh%C4%81rat%C4%ABya_Education&amp;diff=347&amp;oldid=344</link>
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			<description>&lt;p&gt;BJS: convert (MAIN)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:03, 3 November 2026&lt;/td&gt;
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&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 49:&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#fff; text-align:center;&amp;quot; |&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#fff; text-align:center;&amp;quot; |&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&quot;width:298px; height:168px; overflow:hidden; display:flex; align-items:center; justify-content:center;&quot;&amp;gt;&amp;lt;div style=&quot;width:298px; flex-shrink:0;&quot;&amp;gt;[[File:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;BJS_38_F837_6aea21156f618&lt;/del&gt;.mp4|thumbtime=0|center|298px]]&amp;lt;/div&amp;gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&quot;width:298px; height:168px; overflow:hidden; display:flex; align-items:center; justify-content:center;&quot;&amp;gt;&amp;lt;div style=&quot;width:298px; flex-shrink:0;&quot;&amp;gt;[[File:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;BJS_38_F840_6aea21be88a83&lt;/ins&gt;.mp4|thumbtime=0|center|298px]]&amp;lt;/div&amp;gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l162&quot;&gt;Line 162:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 162:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;span id=&amp;quot;conclusion&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;span id=&amp;quot;conclusion&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Conclusion ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/div&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/div&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;= Conclusion =&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While the European assertions of Nālandā, as beautiful and ideal, are glorified, Bhāratīya traditional methods are not recognised by the universities or are merely called informal education. Nālandā offered a comprehensive multidisciplinary learning system involving daily routine, reflective methods, emphasis on meditation amalgamated together. In the Nālandā model, this transdisciplinary and multidisciplinary approach was not created, but was allowed to emerge naturally.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While the European assertions of Nālandā, as beautiful and ideal, are glorified, Bhāratīya traditional methods are not recognised by the universities or are merely called informal education. Nālandā offered a comprehensive multidisciplinary learning system involving daily routine, reflective methods, emphasis on meditation amalgamated together. In the Nālandā model, this transdisciplinary and multidisciplinary approach was not created, but was allowed to emerge naturally.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l170&quot;&gt;Line 170:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 172:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;span id=&amp;quot;references&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;span id=&amp;quot;references&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/div&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/div&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;= References: =&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;= References: =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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			<pubDate>Tue, 03 Nov 2026 18:03:32 GMT</pubDate>
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			<title>File:BJS 38 F840 6aea21be88a83.mp4</title>
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			<title>Experiencing Vismṛti and challenges in Bhāratīya Education</title>
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{| class=&amp;quot;infobox&amp;quot; style=&amp;quot;float:right; clear:right; width:300px; max-width:300px; margin:0 0 1em 1em; border:1px solid #a2a9b1; background:#f8f9fa; font-size:90%; table-layout:fixed; border-collapse:collapse; border-spacing:0;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
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! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px; width:35%;&amp;quot; | Title&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Experiencing Vismṛti and challenges in Bhāratīya Education&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Author(s)&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Raj Bijalwan&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Platform&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Bharatiya Jnana Sarita&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Categories&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | History &amp;amp; Civilization/Itihāsa &amp;amp; Sabhyatā&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Year&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | 2026&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Type of Article&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Repurposed Advanced&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Difficulty Level&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Advanced&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#f8f9fa;&amp;quot; | &amp;lt;div style=&amp;quot;height:16px;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#fff; text-align:center;&amp;quot; |&lt;br /&gt;
&amp;lt;div style=&amp;quot;width:298px; height:168px; overflow:hidden; display:flex; align-items:center; justify-content:center;&amp;quot;&amp;gt;&amp;lt;div style=&amp;quot;width:298px; flex-shrink:0;&amp;quot;&amp;gt;[[File:BJS_38_F837_6aea21156f618.mp4|thumbtime=0|center|298px]]&amp;lt;/div&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| id=&amp;quot;pravaha-abstract&amp;quot; role=&amp;quot;region&amp;quot; aria-label=&amp;quot;Summary&amp;quot; class=&amp;quot;bjs-abstract-panel&amp;quot; style=&amp;quot;float:right; clear:right; width:300px; max-width:300px; box-sizing:border-box; margin:0 0 1em 1em; border:1px solid #d6a9bc; border-collapse:separate; border-spacing:0; background:#fff7fa; color:#202122;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! class=&amp;quot;bjs-abstract-heading&amp;quot; style=&amp;quot;padding:8px 12px; background:#efcddd; color:#202122; text-align:left; font-size:1.15em; font-weight:700;&amp;quot; | &amp;lt;span class=&amp;quot;bjs-abstract-controls&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;bjs-abstract-open&amp;quot;&amp;gt;[[#pravaha-abstract|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;bjs-abstract-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Summary&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
|- class=&amp;quot;bjs-abstract-content-row&amp;quot;&lt;br /&gt;
| style=&amp;quot;padding:14px 16px; background:#fff7fa; text-align:left; line-height:1.65; overflow-wrap:anywhere;&amp;quot; | &amp;lt;div class=&amp;quot;bjs-abstract-preview&amp;quot;&amp;gt;The article presents the concept of vismṛti and its impact on Bhāratīya education. The article tends to examine how European…&amp;lt;/div&amp;gt;&amp;lt;div class=&amp;quot;bjs-abstract-full&amp;quot;&amp;gt;The article presents the concept of vismṛti and its impact on Bhāratīya education. The article tends to examine how European interpretations of Bhārata have harmed the understanding of its civilisation. This has led to a disconnect between Bhāratīya traditions and their experiences. With the help of the Advaita Vedānta&amp;#039;s concept of Rajju-Sarpa Nyāya, the article stresses on the need to recognise the superimpositions and overcome them. The article explores the relevance of the traditional frameworks and emphasises the need to understand Bhāratīya education through its own framework.&amp;lt;/div&amp;gt;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;introduction&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= Introduction =&lt;br /&gt;
&lt;br /&gt;
Bhārata’s long history of jñāna paramparā has witnessed multiple attacks on its traditions with the sole aim of trivialising the civilisation. However, Bhāratīya people have stood closely with their tradition. The constant upheaval from around the world has placed Bhāratīyas in a very complex situation. On one hand, there are Bhāratīyas who take pride in their customs and rituals as ancestral legacy, and on the other hand, there are some who demean, dismiss, and question their own culture. In order to understand Bhārata, it is necessary to take pride in the glorious past and not doubt this rich culture.&lt;br /&gt;
&lt;br /&gt;
The Bhāratīyas have often found themselves either opposing or accepting the European ‘understanding’ of Bhārata. While questions are raised about traditions due to this understanding, the European experience of Bhārata has nothing to do with Bhāratīya tradition at all. Several descriptions question the significance of Bhārata’s timeless culture; from calling the tradition primitive to superstitious. However, the European experience is found to be far from the real culture of Bhārata that celebrates, enjoys, and cherishes the Bhāratīya way of life.&lt;br /&gt;
&lt;br /&gt;
The need today is not to counter the attacks on the traditions but to create a pathway for people to address the challenges pertaining to the Indian Knowledge Systems. In its response, Bhārata must look at the Bhāratīya jñāna paramparā and its traditions to identify itself rather than adopting a European perspective.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;purpose-and-scope&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Purpose and Scope ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The purpose of this article is to reinstate the Bhāratīya experience for describing and defining Bhārata. Bhārata, its traditions, and its people have often been looked at from either of the two extremes, as a rich culture or as a primitive, ugly state of being. In either of the two states, it is Bhārata that seems to lack a voice of its own. Both states emerge from a European experience and a counter-European experience of ‘decolonisation’. The article attempts to mark a shift from this confused state and present instances from history to approach such challenges. The article takes the example of Nālandā Vihāra to explain the need to assimilate experience in Bhāratīya education. To understand the Nālandā model, the article stresses the need to view Bhāratīya traditions through their own lens.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;collapse-historical-background&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;pravaha-collapse-1&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-1|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Historical Background&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Bhārata has remained under foreign attacks for several centuries. The foreign invasions brought along subsequent attacks on Bhāratīya culture and traditions. Both the Islamic invasions and European colonialism harmed Bhāratīya culture in every way possible. In their ‘curiosity’ to know Bhārata more, they started looking for ways to engage with rulers and their practices. Through their engagements, they wanted to understand the culture and thereby govern the people of Bhārata easily. Since the arrival of Europeans in the eighteenth century, they started documenting and developing ideas to understand the people who lived in Bhārata.&lt;br /&gt;
&lt;br /&gt;
For the entire colonial era, Europeans, as colonisers, missionaries and travellers, described Bhārata based on ideas that had emerged from their cultural experience. Although the observances or descriptions were related to Bhārata and Bhāratīyas, they were part of the European perspective of Bhāratīya civilisation. The assertions arising from such perspectives were far from the authentic Bhāratīya culture. The European assertions were not absolute truths but mere experiences.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;rajju-sarpa-nyāya&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Rajju-Sarpa Nyāya ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The confused state of a Bhāratīya can find respite by understanding the Advaita Vedānta&amp;#039;s Rajju-Sarpa Nyāya analogy. This is encompassed in the concept of adhyāsa which refers to superimposing a thought or a view upon an object when its nature is not so in reality. In simple terms, it is mistaking something for what it is not.&lt;br /&gt;
&lt;br /&gt;
In the analogy, a person sees a rope in dim light and mistakes it for a snake. In reality, there is no snake, but the thought gets superimposed upon the rope. This is largely because of the conditions in which the person sees the rope, influenced by his past experiences of seeing snakes and interpreting anything of that shape, like a rope, as a snake. The Europeans arrived in Bhārata and saw the life and the way of living of the Bhāratīyas which led them to understand this ‘rope’ as a snake. With time, such interpretations became the standard way of identifying Bhārata.&lt;br /&gt;
&lt;br /&gt;
While the Europeans began giving assertions based on their misunderstandings, these descriptions and assertions got assimilated into the education system and still continue to remain a part of the academic community. This was not merely a case of misidentification but revealed a lot about the observer’s understanding of things.&lt;br /&gt;
&lt;br /&gt;
Ādi Śaṅkarācārya’s concept of adhyāsa or superimposition remains significant in modern times as well. There are people who argue and assert that they know and practice the Bhāratīya traditions. Therefore, they are not under the influence of the snake’s description superimposed upon the rope. Such people might boast of their devotion towards their ācāra, which referred to the established practices, conduct and norms followed by the people. But even such arguments might carry the influence of the superimposition. They might not be able to explain the vismṛti or the forgetfulness that may have shaped their understanding. There remains a threat that the person carrying forward the ācāra may have understood the tradition through non-native concepts.&lt;br /&gt;
&lt;br /&gt;
Ācāra was a part of the gurukula system that existed in ancient Bhārata. The gurukula system thrived in Bhārata because of its foundation, rooted in traditional domains of the Bhāratīya civilisation.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;collapse-adhyāsa-and-vismṛti&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;pravaha-collapse-2&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-2|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Adhyāsa and Vismṛti&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Adhyāsa tends to relate to the superimposition of one thought upon another. When one mistakes one thing for another and attributes the qualities of one to the other, it is adhyāsa. On the other hand, vismṛti is forgetting or losing the memory of things. In this context, it may be understood as the loss of jñāna and awareness about one&amp;#039;s own culture and tradition.&lt;br /&gt;
&lt;br /&gt;
Bhārata’s National Education Policy of 2020 brought with it a renewed hope for Bhāratīya traditions and the Indian Knowledge Systems. The integration of Bhāratīya traditions into the education system aimed to revive the traditional system of Bhārata rooted in its aim for jñāna. The National Education Policy mentions ancient universities of Takṣaśilā and Nālandā, along with Bhārata’s holistic and multidisciplinary system of learning: “The aim of education in ancient India was not just the acquisition of knowledge as preparation for life in this world, or life beyond schooling, but for the complete realization and liberation of the self. World-class institutions of ancient India such as Takṣaśilā, Nālandā,Vikramaśilā and Vallabhī, set the highest standards of multidisciplinary teaching and research and hosted scholars and students from across backgrounds and countries [&amp;lt;nowiki/&amp;gt;[https://static.pib.gov.in/WriteReadData/userfiles/NEP_Final_English_0.pdf &amp;lt;u&amp;gt;1&amp;lt;/u&amp;gt;]].”&lt;br /&gt;
&lt;br /&gt;
Ancient wisdom points to the pursuit of jñāna, prajñā and satya as one of the highest goals for human beings. Historically, Bhāratīya educational institutions also had students coming in large numbers from other countries as well, suggesting how Bhārata was a hub of jñāna and viveka.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;ancient-bhāratīya-universities&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Ancient Bhāratīya Universities ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The ancient Bhāratīya system of gurukula followed the guru-śiṣya paramparā. These gurukula systems evolved and led to the emergence of various monasteries and vihāras, where monks could perform meditation, and engage in discussions and debates. These gurukulas were the residential places of education and were situated in forests with serene surroundings. When the kings started taking interests in jñāna and its propagation, the centres of higher learning came into existence [&amp;lt;nowiki/&amp;gt;[https://theacademic.in/wp-content/uploads/2026/04/12.pdf &amp;lt;u&amp;gt;2&amp;lt;/u&amp;gt;]]. Eventually, some universities were established across Bhārata. Takṣaśilā, as one of the oldest centres of learning, offered disciplines such as law, vaidika studies, medicines etc. Nālandā was the world&amp;#039;s first residential university and is known for its library called Dharmagaṅgā [&amp;lt;nowiki/&amp;gt;[https://theacademic.in/wp-content/uploads/2026/04/12.pdf &amp;lt;u&amp;gt;2&amp;lt;/u&amp;gt;]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;nālandā-university&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Nālandā University ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Nālandā University presents a practical model for shaping Bhārata&amp;#039;s future education. As one of the greatest centres of higher learning and the world&amp;#039;s first residential university, Nālandā is said to have been founded during the reign of Kumāragupta I. To establish Nālandā-like institutions, it would require a complete overhaul of the current institutions in order to get recognised as per the Nālandā model.&lt;br /&gt;
&lt;br /&gt;
Nālandā is often understood to be like a modern day university; instead, it was the Mahāvihāra of the Buddhist tradition. This was the most important Buddhist learning center in the Bhāratīya subcontinent from the fifth century to the thirteenth century. The kings of Tibet sent several students to the Nālandā Mahāvihāra to help them systematically establish a Buddhist way of learning in their kingdom. Recorded history also mentions many masters from the Nālandā tradition going to Tibet to establish a teaching-learning process.&lt;br /&gt;
&lt;br /&gt;
This was significant because after the Islamic invasion, the entire Nālandā learning system was preserved completely in the Vajrayāna and the Tantrayāna traditions of Tibet. Traditions like Nyingma, Kagyu, Sakya, and Gelug preserved the entire Nālandā learning model. These traditions were shaped and developed by ācāryas like Dharmapāla, Nāgārjuna, Vasubandhu, Dharmakīrti, Candrakīrti, Asaṅga, Śīlabhadra and Śāntarakṣita, and were carried forth in the Vajrayāna tradition of Tibet. Today, many of these traditions are a part of the vihāras in Tibet, with some of them being over 600 years old.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;the-traditions-of-learning&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= The Traditions of Learning =&lt;br /&gt;
&lt;br /&gt;
The traditions, preserving the Nālandā model of learning, have continued to exist in Tibet. In these traditions, students are engaged in rigorous study for twenty to twenty-six years. Initially, logic and language were taught. Then, study of Prajñāpāramitā Sūtra, Mādhyamika Buddhist tradition, Vinaya and Abhidhamma etc. took place for a duration of at least seventeen to eighteen years. For a duration of twenty years, the students engaged in debates to understand how to argue. The debating process helped them in easily understanding about their inner self. The entire learning tradition resonates with the Bhāratīya framework of śravaṇa, manana, and nidhidhyāsana.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;collapse-modern-relevance&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;pravaha-collapse-3&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-3|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Modern Relevance&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The Nālandā tradition has survived in several parts of Bhārata as vihāras. After China invaded Tibet in the 1950s, a sizable population of Tibet along with the Dalai Lama migrated to Bhārata and restarted the Nālandā tradition in the 1960s. Every year, over a thousand students complete fifteen to twenty years of study and later obtain a degree from Geshe, Khenpo and so on. The study is the sādhnā or the practice for attaining paramārtha, satya and ānanda.&lt;br /&gt;
&lt;br /&gt;
There are several gurukulas still functioning across the Bhāratavarṣa, carrying forward the jñāna of Veda, nyāya, mīmāṃsā, kṛṣi, and sthāpatya. It can be said that the Nālandā model still exists in some form. In Karnataka’s Mundgod, Bylakuppe and Hunsur, thirty thousand monks study even today and people from other countries still come to vihāras for learning. However, the degrees attained in vihāras are not recognised by the universities. The vihāras also fear the university system because of the regulations that might undermine their models and paramparā. If the vihāras are brought under the university system, they might lose their essence. The learning process, preserved for over thousands of years, would undergo significant change and eventually die out.&lt;br /&gt;
&lt;br /&gt;
The core element of the Nālandā model was a pedagogy spanning two decades, students engaging in debates, and understanding the world without getting influenced by ideology. But the university model encompasses textbooks, and influential ideologies that deprive a person from jñāna. While vihāras held constructive discussions and debates, in modern universities, the debates and discussions often lead to chaos.&lt;br /&gt;
&lt;br /&gt;
The modern universities are a result of European colonialism, whereas the gurukulas and vihāras were rooted in Bhāratīya traditions. Therefore, the universities and the gurukulas have different purposes, both structurally and institutionally. The modern education system unfortunately continues to undermine traditional learning methods that were part of the gurukula system.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;conclusion&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
While the European assertions of Nālandā, as beautiful and ideal, are glorified, Bhāratīya traditional methods are not recognised by the universities or are merely called informal education. Nālandā offered a comprehensive multidisciplinary learning system involving daily routine, reflective methods, emphasis on meditation amalgamated together. In the Nālandā model, this transdisciplinary and multidisciplinary approach was not created, but was allowed to emerge naturally.&lt;br /&gt;
&lt;br /&gt;
However, it must be noted that the modern understanding of Nālandā was a creation of European experience and was later used to explain Bhāratīya model of learning. This points that the Nālandā’s description we know of today, is different to what it really was. The irony is that while the Nālandā model of learning thrives, it is not even considered a recognised teaching and learning system. This is vismṛti. Today, the traditional systems of learning are being forgotten and ignored. Instead of recognising the systems, we look at them through the lens of modern framework. This is similar to the person mistaking the rope for a snake. It is therefore necessary to look at Bhāratīya paramparā through the traditional lens and not from the colonial, modern outlook.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;references&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= References: =&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ol style=&amp;quot;list-style-type: decimal;&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;blockquote&amp;gt;&amp;lt;p&amp;gt;Ministry of Human Resource Development, Government of India. (n.d.-b). &amp;#039;&amp;#039;National Education Policy 2020&amp;#039;&amp;#039;. [https://www.education.gov.in/sites/upload_files/mhrd/files/NEP_Final_English_0.pdf &amp;lt;u&amp;gt;https://www.education.gov.in/sites/upload_files/mhrd/files/NEP_Final_English_0.pdf&amp;lt;/u&amp;gt;]&amp;lt;/p&amp;gt;&amp;lt;/blockquote&amp;gt;&amp;lt;/li&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;blockquote&amp;gt;&amp;lt;p&amp;gt;Singh, S. J. D. P. (2026b). Intellectual Traditions of Ancient India: An Analysis of Early Universities and their Educational Practices. &amp;#039;&amp;#039;Zenodo (CERN European Organization for Nuclear Research)&amp;#039;&amp;#039;. [https://doi.org/10.5281/zenodo.19367162 &amp;lt;u&amp;gt;https://doi.org/10.5281/zenodo.19367162&amp;lt;/u&amp;gt;]&amp;lt;/p&amp;gt;&amp;lt;/blockquote&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;/ol&amp;gt;&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
== Original Article Information ==&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Original Article Link:&amp;#039;&amp;#039;&amp;#039; https://www.brhat.in/dhiti/vismrti-nalanda-vihara-experience-and-indian-education&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Original Article Details:&amp;#039;&amp;#039;&amp;#039; Vismṛti, experience, and the challenge of reclaiming Indian education.&lt;/div&gt;</description>
			<pubDate>Tue, 03 Nov 2026 18:01:07 GMT</pubDate>
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			<title>Understanding Dr. Viśvanātha Satyanārāyaṇa: Life and Commitment to Bhāratīya Languages</title>
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{| class=&amp;quot;infobox&amp;quot; style=&amp;quot;float:right; clear:right; width:300px; max-width:300px; margin:0 0 1em 1em; border:1px solid #a2a9b1; background:#f8f9fa; font-size:90%; table-layout:fixed; border-collapse:collapse; border-spacing:0;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#fff; text-align:center;&amp;quot; |&lt;br /&gt;
[[File:BJS_37_F833_6aea1da86e373.png|center|298px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px; width:35%;&amp;quot; | Title&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Understanding Dr. Viśvanātha Satyanārāyaṇa: Life and Commitment to Bhāratīya Languages&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Author(s)&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Raj Bijalwan&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Platform&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Bharatiya Jnana Sarita&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Categories&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Linguistics &amp;amp; Literature/Vāgvibhāga &amp;amp;Vāṅmaya&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Year&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | 2026&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Type of Article&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Repurposed Advanced&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Difficulty Level&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Advanced&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#f8f9fa;&amp;quot; | &amp;lt;div style=&amp;quot;height:16px;&amp;quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#fff; text-align:center;&amp;quot; |&lt;br /&gt;
&amp;lt;div style=&amp;quot;width:298px; height:168px; overflow:hidden; display:flex; align-items:center; justify-content:center;&amp;quot;&amp;gt;&amp;lt;div style=&amp;quot;width:298px; flex-shrink:0;&amp;quot;&amp;gt;[[File:BJS_37_F834_6aea1ee3cee69.mp4|thumbtime=0|center|298px]]&amp;lt;/div&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| id=&amp;quot;pravaha-abstract&amp;quot; role=&amp;quot;region&amp;quot; aria-label=&amp;quot;Summary&amp;quot; class=&amp;quot;bjs-abstract-panel&amp;quot; style=&amp;quot;float:right; clear:right; width:300px; max-width:300px; box-sizing:border-box; margin:0 0 1em 1em; border:1px solid #d6a9bc; border-collapse:separate; border-spacing:0; background:#fff7fa; color:#202122;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! class=&amp;quot;bjs-abstract-heading&amp;quot; style=&amp;quot;padding:8px 12px; background:#efcddd; color:#202122; text-align:left; font-size:1.15em; font-weight:700;&amp;quot; | &amp;lt;span class=&amp;quot;bjs-abstract-controls&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;bjs-abstract-open&amp;quot;&amp;gt;[[#pravaha-abstract|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;bjs-abstract-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Summary&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
|- class=&amp;quot;bjs-abstract-content-row&amp;quot;&lt;br /&gt;
| style=&amp;quot;padding:14px 16px; background:#fff7fa; text-align:left; line-height:1.65; overflow-wrap:anywhere;&amp;quot; | &amp;lt;div class=&amp;quot;bjs-abstract-preview&amp;quot;&amp;gt;Dr Viśvanātha Satyanārāyaṇa lived a life advocating for the indigenous languages of Bhārata. A Telugu writer himself, he maintained consistent…&amp;lt;/div&amp;gt;&amp;lt;div class=&amp;quot;bjs-abstract-full&amp;quot;&amp;gt;Dr Viśvanātha Satyanārāyaṇa lived a life advocating for the indigenous languages of Bhārata. A Telugu writer himself, he maintained consistent efforts to uplift the Telugu language. He lived at a time when the Western framework dominated over discourses. By making attempts to reunderstand Saṃskṛta literary concepts, he emphasised on the relevance of the traditional Bhāratīya literary concepts. He did not voice against English but raised objections against seeking validation from the Western countries and their thoughts. He continues to remind that Bhāratīya civilisation’s foundation is its languages from which cultures grow and interact.&amp;lt;/div&amp;gt;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;introduction&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= Introduction =&lt;br /&gt;
&lt;br /&gt;
Dr. Viśvanātha Satyanārāyaṇa was a great Telugu writer whose life emerged out of the fractured linguistic world that undermined Bhāratīya languages such as Telugu while advocating for English. Also known as Kavisamrāṭa, Dr. Viśvanātha Satyanārāyaṇa was a rare combination of extraordinary scholarship and excellence in poetry. He was a poet, a novelist, short-story writer, lyricist, playwright, a critic and an orator [&amp;lt;nowiki/&amp;gt;[https://www.wisdomlib.org/history/compilation/triveni-journal/d/doc70081.html &amp;lt;u&amp;gt;1&amp;lt;/u&amp;gt;]]. His was not a casual voice of anger but an interruption that many did not like.&lt;br /&gt;
&lt;br /&gt;
He lived at a time when his contemporaries were interested in quoting Shelley, Keats, Eliot, Marx, Freud, and Russel but had no idea about Nannaya, Tikkana, Śrīnatha, Kālidāsa, Abhinavagupta, Mammaṭa or Ānandavardhana. A new trend emerged that sought validation from the English linguistic styles and guidelines. Validation mattered more than the content or its authenticity; therefore, literature, itihāsa, archives, folklore, and even heritage were admired only when they were validated by the West or translated into English by orientalists. It was this arrangement that Satyanārāyaṇa chose to reject.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;purpose-and-scope&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Purpose and Scope ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The article reflects on the life of Dr. Viśvanātha Satyanārāyaṇa, a Telugu writer from the 20th century. His rejection of the Western standards of writing and advocating for the focus on indigenous languages such as Telugu established his fight for treating Telugu and other indigenous languages not as a secondary or a residue language. His life entailed consistent efforts without caring for the comments of his contemporaries and the Western elites. The article attempts to read his life and his efforts towards encouraging indigenous languages.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;collapse-historical-background&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;pravaha-collapse-1&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-1|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Historical Background&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Awarded with the prestigious awards like the Jñānapīṭha award and Padmabhūṣaṇ, Dr. Viśvanātha Satyanārāyaṇa chose to revisit the traditional Bhāratīya concepts of understanding literature. While his contemporaries chose to look at literature from the European lens, he asserted about rasa (aesthetic experience), aucitya (appropriateness), vakrokti (creative expression), dhvani (resonance), alaṅkāra (poetic devices), and chandas (meter), along with paurāṇika references, and aitihāsika perceptions. His understanding of kāvya had its root in Saṃskṛta assertions of kāvya. Satyanārāyaṇa did not reject English; as a post-graduate of arts, he was aware of all the branches of English literature. His fight was basically against seeking validation from the colonialists and against seeing indigenous traditions from the Western lens.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;reunderstanding-saṃskṛta-literary-concepts&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Reunderstanding Saṃskṛta Literary Concepts ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
While the contemporaries portrayed Dr. Viśvanātha Satyanārāyaṇa as old-fashioned, he brought forth the correct perspective of understanding concepts of Bhāratīya literature. He asserted that rasa was not a theory belonging to history; it was a way of understanding the evolution of emotions as they turn into an aesthetic experience. Likewise, dhvani was not merely an abstract idea. It was a theory involving meaning, suggestion, silence, and resonance. Dhvani carried much more than what words could express.&lt;br /&gt;
&lt;br /&gt;
Vakrokti is the way of expressing creatively. In this regard, Dr. Satyanārāyaṇa stated that vakrokti was not merely an oblique expression, but a creative mode of conveying ideas, without reducing those ideas to emotionless statements. Similarly, aucitya dealt not only with etiquette or manners, but also with ensuring that character, situation, tone, and moral rhythm are in harmony with one another.&lt;br /&gt;
&lt;br /&gt;
His assertions were questioned and he was looked upon as a comic figure by the English-educated middle class. He had the knowledge of meters, itihāsa, etymologies, genealogies, yet he was questioned for not having an understanding of modern science and political economy. He was often called a fossil. His memory, language and inheritance were rejected because he advocated for Bhāratīya intelligence, knowledge and thought.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;his-efforts-for-telugu-literature&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== His Efforts for Telugu Literature ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Kavisamrāṭ Viśvanātha Satyanārāyaṇa lived at a time when Telugu pride rose but the Telugu authority was falling. The Telugu middle class people celebrated the greatness of the language, celebrated the poets, organised for linguistic identity, yet failed to think in Telugu. This limited their scope of understanding their identity and left no way for enquiry for the Telugu speakers. Even the educational institutions lacked the approach to understand Telugu.&lt;br /&gt;
&lt;br /&gt;
Satyanārāyaṇa aimed at not bringing back Telugu literature as it is. He chose to bring the traditions close to modernity. From novels, plays, stories, and essays to paurāṇika retellings and philosophical reflections, he carried modern and traditional aspects together. He wrote Vēyi Paḍagalu, where he brought forth a portrayal of the society. This text can also be called an encyclopedia of Āndhra culture [&amp;lt;nowiki/&amp;gt;[https://www.wisdomlib.org/history/compilation/triveni-journal/d/doc70081.html &amp;lt;u&amp;gt;1&amp;lt;/u&amp;gt;]]. In Rāmāyaṇa Kalpavṛkṣamu, Satyanārāyaṇa does not just retell Vālmīki’s version in the traditional meter, he presents the epic for the Telugu readers, allowing it to enter Telugu soil and sensibility.&lt;br /&gt;
&lt;br /&gt;
Rāmāyaṇa Kalpavṛkṣamu was not a mere translation of Rāmāyaṇa into Telugu language. Satyanārāyaṇa brought liveliness and natural elements into the text so that the readers could relate to it and find it meaningful. Śrī Rāma was not merely a character speaking in Telugu in this work but an innate part of Telugu culture. It therefore became easy to understand the epic&amp;#039;s universal values. The universal element of the epic does not wipe out the local element, but it is only through the local that the universal element finds space to grow. Through this reinterpretation, Satyanārāyaṇa challenged the norms and conventions of reading the epic, thereby inviting ‘Teluguness’ to remain a part of the evolution.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;literary-changes-during-the-reinterpretation-of-rāmāyaṇa&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Literary Changes during the Reinterpretation of Rāmāyaṇa ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
When Satyanārāyaṇa was writing the Rāmāyaṇa Kalpavṛkṣamu, a lot of changes were subtly taking place in the literary space. This was because people widely believed that literature needed to change in order to cater to the changing times. Poetry was distanced from meter, myth turned to realism, old forms were outdone and there was a need to replace them.&lt;br /&gt;
&lt;br /&gt;
Eventually, prose, social critique, free verse, psychological exploration, urgency for revolution, and literature that was natural to the twentieth century became the guiding principles that led to the futuristic world. In such dynamic circumstances, Satyanārāyaṇa spent years composing and completing a six-volume Rāmāyaṇa in classical style. His was an act of provocation.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;collapse-tradition-as-per-dr.-viśvanātha-satyanārāyaṇa&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;pravaha-collapse-2&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-2|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Tradition as per Dr. Viśvanātha Satyanārāyaṇa&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The critics often questioned Dr. Viśvanātha Satyanārāyaṇa as to why he was composing the Rāmāyaṇa now. His response ranged from a devastating ‘why not now?’ and sought answers about who had decided that the epic could not be modern, that meter was a prison, and that our legacy and itihāsa were inferior to the imported ideas. He questioned people for quoting and referring to Eliot and not Abhinavagupta. His questions in response revolved around the notions of literary freedom and literary amnesia.&lt;br /&gt;
&lt;br /&gt;
His quarrel was not with English literature, but with the imitation of the foreign culture and foreign notions disguised as progress and advancement. He called upon educated minds to no longer seek validation from foreign culture and to recognise and respect one&amp;#039;s own. By this time, the traditional grandmother&amp;#039;s idiom, region&amp;#039;s meters, metaphysics, oral and textual worlds, had all become a victim of suspicion and doubt.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;understanding-traditions&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Understanding Traditions ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For Satyanārāyaṇa, studying tradition was completely different from thinking about it. To him, studying traditions led to production of cultural commentary, while thinking about it broke open the chains of subjugation and thereby produced intellectual sovereignty. He wanted Telugu to carry śāstras and their essence. As the bearer of śāstra, Telugu would be able to make judgements, understand metaphysics, criticism, beauty and the world.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;satyanārāyaṇas-case-of-rebellion&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Satyanārāyaṇa&amp;#039;s Case of Rebellion ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Satyanārāyaṇa&amp;#039;s case of rebellion is rooted in the discomfort he produced. The literary space has witnessed rebellions at regular intervals. The breaking of meters, attacks on customs, mocking of devī-devatās, rights of workers and women, and social justice were some of the aims of the rebels.&lt;br /&gt;
&lt;br /&gt;
But Satyanārāyaṇa chose to do something extraordinary. He rebelled against the contemporary rebellions. He asserted that the said freedom was another form of servitude. In his rebellion, he questioned whether rejecting tradition was an act of courage or a submission to the new trend.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;collapse-relevance-in-contemporary-times&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;pravaha-collapse-3&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-3|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Relevance in Contemporary Times&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In a time when Bhāratīya languages are praised but their roots are weakened, there comes a need to rethink. When Bhāratīya languages are termed rich, this richness becomes a consolation because people are not allowed to think in these languages.&lt;br /&gt;
&lt;br /&gt;
When parents choose an English school for their children, they choose an English medium of imagination. Even when colonial power no longer exists, English as a medium of imagination continues to exist. When a young student can easily relate to trauma, capitalism, and identity in English but fails to write a page of reflection as prose in the language of his/her family, there emerges a need to rethink.&lt;br /&gt;
&lt;br /&gt;
Satyanārāyaṇa places a reminder that a language dies when people stop trusting it to express depth and complexity, and not when people stop speaking it. Even though the jokes, songs, slogans, domestic communication, and cinema may employ the use of language, its sovereignty may still be lost. Millions of speakers of a language fail to stop the language from losing its essence at the most crucial time. Despite having epics, grammar, vocabularies, folk forms, and fiction, a language may still be deemed unfit for theory.&lt;br /&gt;
&lt;br /&gt;
To solve this problem, Satyanārāyaṇa urges that the Bhāratīya languages ought not to choose between the past and present, but rather carry both together. Bhāratīya languages have the ability to carry village and university, purāṇa and novel, meter and modern crisis, idiom and cosmic question, at the same time. And not only can they carry emotions but also jñāna.&lt;br /&gt;
&lt;br /&gt;
A rejection of English is not the solution. Whether the English language should be a measure of jñāna and intelligence is the real question. Bhāratīya languages should become languages of thought and not merely languages asserting belongingness.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;conclusion&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= Conclusion =&lt;br /&gt;
&lt;br /&gt;
Dr. Viśvanātha Satyanārāyaṇa&amp;#039;s assertions are symbolic of the confidence in presenting one&amp;#039;s tradition as a living discipline of form, argument, memory and even renewal. He did not simply present language, Telugu in particular, as a means of comfort, but as a responsibility.&lt;br /&gt;
&lt;br /&gt;
He presents through his efforts that to save a language, affection alone is not sufficient. Its use, difficulty, scholarship, experiment, pride, and even criticism is as important. When children are made to understand that their mother language is not inferior to any other foreign language, a language is saved. When epics are recreated by novelists, when poets question the philosophers, when wisdom and the wise are not reduced to fossils, language tends to get saved. It is when a civilisation’s consciousness realises that becoming a footnote in another language’s textbook is of no use to the civilisation, that a language tends to get empowered with time.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;references&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
= References: =&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ol style=&amp;quot;list-style-type: decimal;&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;li&amp;gt;&amp;lt;blockquote&amp;gt;&amp;lt;p&amp;gt;www.wisdomlib.org. (2022, March 17). &amp;#039;&amp;#039;Dr. Viśvanātha Satyanārāyaṇa’s Literary Eminence&amp;#039;&amp;#039;. [https://www.wisdomlib.org/history/compilation/triveni-journal/d/doc70081.html &amp;lt;u&amp;gt;https://www.wisdomlib.org/history/compilation/triveni-journal/d/doc70081.html&amp;lt;/u&amp;gt;]&amp;lt;/p&amp;gt;&amp;lt;/blockquote&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* Srimadramayana Kalpavrukshamu Sundarakandamu by Sri. Viswanath Satyanarayana in Telugu : Sri. Viswanath Satyanarayana : Free download, borrow, and streaming : Internet Archive. (1992). Internet Archive. [https://archive.org/details/srimadramayana-kalpavrukshamu-sundarakandamu-by-sri-viswanath-satyanarayana-in-telugu &amp;lt;u&amp;gt;https://archive.org/details/srimadramayana-kalpavrukshamu-sundarakandamu-by-sri-viswanath-satyanarayana-in-telugu&amp;lt;/u&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Original Article Information ==&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Original Article Link:&amp;#039;&amp;#039;&amp;#039; https://www.brhat.in/dhiti/the-last-pandit-in-a-modern-classroom-reading-viswanatha-satyanarayana&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Original Article Details:&amp;#039;&amp;#039;&amp;#039; A portrait of Vishwanatha Satyanarayana, the Telugu giant who refused to let English education decide what counted as modern literature.&lt;/div&gt;</description>
			<pubDate>Tue, 03 Nov 2026 17:51:50 GMT</pubDate>
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			<title>File:BJS 37 F834 6aea1ee3cee69.mp4</title>
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			<title>Demo Video</title>
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|-&lt;br /&gt;
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| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Neeraja K&lt;br /&gt;
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| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | 2026&lt;br /&gt;
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| style=&amp;quot;padding:14px 16px; background:#fff7fa; text-align:left; line-height:1.65; overflow-wrap:anywhere;&amp;quot; | &amp;lt;div class=&amp;quot;bjs-abstract-preview&amp;quot;&amp;gt;This demonstration study presents a fictional analysis of digital tools used in academic workflows. It illustrates how researchers can organize…&amp;lt;/div&amp;gt;&amp;lt;div class=&amp;quot;bjs-abstract-full&amp;quot;&amp;gt;This demonstration study presents a fictional analysis of digital tools used in academic workflows. It illustrates how researchers can organize information, prepare manuscripts, and submit their work through an online journal platform. A simulated dataset of 100 responses was used to demonstrate descriptive analysis and the presentation of results. The fictional findings suggest that structured digital workflows may improve task completion and ease of use. This abstract is intended solely for a tutorial video demonstrating manuscript submission. It does not report actual research, participant data, or validated findings.&amp;lt;/div&amp;gt;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
The name Gaṇapati means ‘Lord of all Gaṇas’ or ‘Lord of All Living Beings’. As one of the most revered deities of Sanātana Dharma, Gaṇapati is also known by names like Gaṇeśa, Vināyaka, and Vighneśvara across the world. This elephant-faced younger son of Devī Pārvati and Bhagavān Śiva is also hailed as the Vighnarāja or ‘Lord of Obstacles’.&lt;br /&gt;
&lt;br /&gt;
However, Gaṇapati thought long and hard, then performed a circumambulation around Devī Gaurī and Bhagavān Śiva, stating that ‘his’ entire world comprised his parents, and so a parikramā of them met the terms of the competition. Bhagavān Śiva and Devī Gaurī accepted his indisputable logic and devotion towards them. Hence, they granted him not only victory, supremacy, or the right to get married first, but also the right to be worshipped first. This paurāṇika tale explains why Gaṇapati’s image often appears in temples, homes, gateways, and other places of importance.&lt;br /&gt;
&lt;br /&gt;
Epithets of Gaṇapati&lt;br /&gt;
&lt;br /&gt;
Gaṇapati is most commonly worshipped as Vighnarāja or ‘Lord of Obstacles,’ as he fulfills his duty to facilitate the devas and hinder the asuras in yajña, sacrifices, or virtuous acts to gain boons.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gravity dam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Main article: [https://en.wikipedia.org/wiki/Gravity_dam Gravity dam]&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Gravity dams&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
[[File:BJS_36_image1.png|200x141px|A diagram showing the cross-section of a typical gravity dam.]]&lt;br /&gt;
&lt;br /&gt;
A typical [https://en.wikipedia.org/wiki/Gravity_dam gravity dam] has a nearly vertical upstream face, and a broad base.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-FOOTNOTESchnitter1994170%E2%80%93172-34 [28]][https://en.wikipedia.org/wiki/Dam#cite_note-35 [g]]&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:BJS_36_image2.jpeg|200x113px|A massive concrete dam with a reservoir behind it.]]&lt;br /&gt;
&lt;br /&gt;
[https://en.wikipedia.org/wiki/Grande_Dixence_Dam Grande Dixence Dam] in Switzerland is one of the [https://en.wikipedia.org/wiki/List_of_tallest_dams world&amp;#039;s tallest gravity dams]. The people atop the dam&amp;#039;s crest illustrate its size.[https://en.wikipedia.org/wiki/Dam#cite_note-FOOTNOTE%22Grande_Dixence_Fact_Sheet%22,_&amp;#039;&amp;#039;Grande_Dixence_SA&amp;#039;&amp;#039;-36 &amp;lt;sup&amp;gt;[29]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
Gravity dams rely on their weight to resist the force of upstream water. Historically, gravity dams were built of masonry – stone, brick, or rubble – held together by [https://en.wikipedia.org/wiki/Mortar_(masonry) mortar], but nearly all modern examples are made of concrete.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-37 [30]][https://en.wikipedia.org/wiki/Dam#cite_note-39 [h]]&amp;lt;/sup&amp;gt; The cost of concrete is much higher than earthfill used in embankment dams, so gravity dams are generally more expensive. An approach to reduce cost is to incorporate hollow chambers inside the dam – provided the dam&amp;#039;s stability and strength are not compromised.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-40 [32]][https://en.wikipedia.org/wiki/Dam#cite_note-galleries-42 [i]]&amp;lt;/sup&amp;gt; Notable gravity dams include [https://en.wikipedia.org/wiki/Grande_Dixence_Dam Grande Dixence Dam] and [https://en.wikipedia.org/wiki/Grand_Coulee_Dam Grand Coulee Dam].[https://en.wikipedia.org/wiki/Dam#cite_note-43 &amp;lt;sup&amp;gt;[34]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
The crest (top) of a gravity dam is generally a straight line stretching between the walls of the valley it crosses. When the crest is curved (the convex side of the curve always faces upstream) it is called an [https://en.wikipedia.org/wiki/Arch-gravity_dam arch-gravity dam] (discussed [https://en.wikipedia.org/wiki/Dam#Composite below]).&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-gravDamStraight-44 [35]][https://en.wikipedia.org/wiki/Dam#cite_note-46 [j]][https://en.wikipedia.org/wiki/Dam#cite_note-archThickness-47 [k]]&amp;lt;/sup&amp;gt; The [https://en.wikipedia.org/wiki/Cross_section_(geometry) cross-section] of gravity dams is roughly triangular, with a flat bottom resting on the valley floor, and two inclined faces (upstream and downstream) that meet at the crest.[https://en.wikipedia.org/wiki/Dam#cite_note-49 &amp;lt;sup&amp;gt;[l]&amp;lt;/sup&amp;gt;] To ensure that the dam is stable and will not tip over, the profile must conform to the [https://en.wikipedia.org/wiki/Middle-third_rule middle-third rule], which states that the forces acting on the dam (gravity, water pressure, etc.) must produce a net force that is directed at the middle portion of the base (rather than directed near the downstream edge of the base).[https://en.wikipedia.org/wiki/Dam#cite_note-FOOTNOTESiddiqui2009148,_151%E2%80%93152-50 &amp;lt;sup&amp;gt;[38]&amp;lt;/sup&amp;gt;] The thickness and inclination of a gravity dam must also be carefully designed to ensure stability. For non-overflow gravity dams, the thickness of the base should be about 70 to 85% of the height.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-51 [39]][https://en.wikipedia.org/wiki/Dam#cite_note-thick-52 [m]]&amp;lt;/sup&amp;gt; The inclination (steepness, measured as run/rise) of the downstream face is typically 0.75 to 0.8, and inclination of the upstream face should be vertical or at most 0.05.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-53 [40]][https://en.wikipedia.org/wiki/Dam#cite_note-inclination-55 [n]]&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Because gravity dams are so heavy, they must rest on bedrock; a gravity dam built over soil would compress the soil, cause the dam to settle, and perhaps crack and fail.[https://en.wikipedia.org/wiki/Dam#cite_note-57 &amp;lt;sup&amp;gt;[o]&amp;lt;/sup&amp;gt;] If the bedrock has cracks or defects, it must be prepared by injecting grout or placing concrete plugs.[https://en.wikipedia.org/wiki/Dam#cite_note-58 &amp;lt;sup&amp;gt;[43]&amp;lt;/sup&amp;gt;] A concern that designers must address is &amp;amp;quot;uplift&amp;amp;quot;: if water seeps under the dam structure, the water pressure can apply extreme upward force on the dam structure, which may lead to leaks or even dam failure. This risk can be mitigated with the use of [https://en.wikipedia.org/wiki/Grout_curtain grout curtains] under the dam (which prevent water from seeping under the dam) and drainage systems under the dam, which lead water away when pressure increases.[https://en.wikipedia.org/wiki/Dam#cite_note-59 &amp;lt;sup&amp;gt;[44]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Buttress dam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Main article: [https://en.wikipedia.org/wiki/Buttress_dam Buttress dam]&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Buttress dams&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
[[File:BJS_36_image3.png|200x141px|A diagram showing the cross-section of a typical buttress dam.]]&lt;br /&gt;
&lt;br /&gt;
A [https://en.wikipedia.org/wiki/Buttress_dam buttress dam] has an inclined upstream face supported by multiple buttresses.[https://en.wikipedia.org/wiki/Dam#cite_note-Buttress-60 &amp;lt;sup&amp;gt;[45]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
[[File:BJS_36_image4.jpeg|200x133px|A huge concrete dam with trees at its base.]]&lt;br /&gt;
&lt;br /&gt;
About 20 buttresses are visible in this photo of [https://en.wikipedia.org/wiki/Latyan_Dam Latyan buttress dam] in Iran.[https://en.wikipedia.org/wiki/Dam#cite_note-FOOTNOTEScott1968353-61 &amp;lt;sup&amp;gt;[46]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
A buttress dam consists of an inclined upstream face supported on the downstream side by numerous triangular [https://en.wikipedia.org/wiki/Buttress buttresses].[https://en.wikipedia.org/wiki/Dam#cite_note-63 &amp;lt;sup&amp;gt;[p]&amp;lt;/sup&amp;gt;] Most buttress dams are made of concrete.[https://en.wikipedia.org/wiki/Dam#cite_note-64 &amp;lt;sup&amp;gt;[48]&amp;lt;/sup&amp;gt;] Unlike a gravity dam (where the upstream face is nearly vertical) the upstream face of a buttress dam is sloped, typically with an inclination between 0.2 and 1.67.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-Buttress-60 [45]][https://en.wikipedia.org/wiki/Dam#cite_note-inclination-55 [n]]&amp;lt;/sup&amp;gt; The inclination of the downstream face typically ranges from 0.09 to 0.8.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-Buttress-60 [45]][https://en.wikipedia.org/wiki/Dam#cite_note-inclination-55 [n]]&amp;lt;/sup&amp;gt; The triangular profile of the reservoir&amp;#039;s water pushes downward onto the dam, forcing it into the ground and increasing its stability.[https://en.wikipedia.org/wiki/Dam#cite_note-Buttress-60 &amp;lt;sup&amp;gt;[45]&amp;lt;/sup&amp;gt;] Notable buttress dams include [https://en.wikipedia.org/wiki/Itaipu_Dam Itaipu Dam], [https://en.wikipedia.org/wiki/Lago_di_Lucendro Lucendro Dam], and [https://en.wikipedia.org/wiki/Al_Massira_Dam Al Massira Dam].[https://en.wikipedia.org/wiki/Dam#cite_note-65 &amp;lt;sup&amp;gt;[49]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
Buttress dams use much less concrete than comparable gravity dams, but the cost savings are offset by a more complex construction process.[https://en.wikipedia.org/wiki/Dam#cite_note-67 &amp;lt;sup&amp;gt;[q]&amp;lt;/sup&amp;gt;] Buttress dams are not as strong as gravity dams, and are suited only for lower heights. Because buttress dams have a much smaller footprint (the area of ground the dam structure rests upon) than gravity dams, the risks associated with uplift forces (from water beneath the dam) are lower in buttress dams.[https://en.wikipedia.org/wiki/Dam#cite_note-68 &amp;lt;sup&amp;gt;[51]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
The individual buttresses may experience slight movements relative to each other. If the upstream face of the dam were a solid piece of concrete, the movements of the buttresses could introduce large stresses, resulting in cracking of the upstream dam face. To mitigate this, the upstream face is divided into multiple pieces, one per buttress, called the &amp;amp;quot;buttress heads&amp;amp;quot;. Adjacent buttress heads are typically separated by a gap, and the gaps are filled with flexible seals.[https://en.wikipedia.org/wiki/Dam#cite_note-GapSeal-69 &amp;lt;sup&amp;gt;[52]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Arch dam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Main article: [https://en.wikipedia.org/wiki/Arch_dam Arch dam]&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Arch dams&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
[[File:BJS_36_image5.png|200x184px|A diagram, in plan view, of a typical arch dam.]]&lt;br /&gt;
&lt;br /&gt;
[https://en.wikipedia.org/wiki/Arch_dam Arch dams] transmit the weight of impounded water into the valley walls.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-ArchCurve-70 [53]][https://en.wikipedia.org/wiki/Dam#cite_note-abut-71 [r]]&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[File:BJS_36_image6.jpeg|200x150px|A thin, curved, concrete dam, impounding a large reservoir.]]&lt;br /&gt;
&lt;br /&gt;
[https://en.wikipedia.org/wiki/Gordon_Dam This arch dam] in Tasmania is curved in both the vertical and horizontal directions.[https://en.wikipedia.org/wiki/Dam#cite_note-FOOTNOTE%22Gordon_Dam%22,_&amp;#039;&amp;#039;Engineers_Australia&amp;#039;&amp;#039;-72 &amp;lt;sup&amp;gt;[54]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
An arch dam is a curved concrete structure that transfers the force of the impounded water horizontally into the valley walls. This design differs from gravity or buttress dams, which transfer the force downward into the foundation.[https://en.wikipedia.org/wiki/Dam#cite_note-ArchCurve-70 &amp;lt;sup&amp;gt;[53]&amp;lt;/sup&amp;gt;] Arch dams are relatively thin: the thickness of their base is less than half their height,[https://en.wikipedia.org/wiki/Dam#cite_note-archThickness-47 &amp;lt;sup&amp;gt;[k]&amp;lt;/sup&amp;gt;] and they are made of masonry or concrete.[https://en.wikipedia.org/wiki/Dam#cite_note-ArchConcrete-74 &amp;lt;sup&amp;gt;[56]&amp;lt;/sup&amp;gt;] The central angle subtended by an arch dam can be relatively shallow or nearly semicircular, ranging from 46 to 140 degrees.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-75 [57]][https://en.wikipedia.org/wiki/Dam#cite_note-77 [s]]&amp;lt;/sup&amp;gt; Notable arch dams include [https://en.wikipedia.org/wiki/Lac_de_l&amp;#039;Hongrin Hongrin Dam], [https://en.wikipedia.org/wiki/Flaming_Gorge_Dam Flaming Gorge Dam], [https://en.wikipedia.org/wiki/Moiry_Dam Moiry Dam], and [https://en.wikipedia.org/wiki/Contra_Dam Contra Dam].[https://en.wikipedia.org/wiki/Dam#cite_note-78 &amp;lt;sup&amp;gt;[59]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
All arch dams are curved, but there are a variety of shapes they may assume. Most older arch dams used a &amp;amp;quot;constant radius&amp;amp;quot; shape, which resembles a section of a vertical cylinder.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-79 [60]][https://en.wikipedia.org/wiki/Dam#cite_note-80 [t]]&amp;lt;/sup&amp;gt; A more complex shape is the &amp;amp;quot;constant angle&amp;amp;quot; shape, which gradually reduces radius from the crest to the base.[https://en.wikipedia.org/wiki/Dam#cite_note-82 &amp;lt;sup&amp;gt;[u]&amp;lt;/sup&amp;gt;] Research into optimizing dam shapes for maximum strength led dam engineers to adopt the constant angle shape for many arch dams, beginning in 1914.[https://en.wikipedia.org/wiki/Dam#cite_note-ConstAngle-81 &amp;lt;sup&amp;gt;[61]&amp;lt;/sup&amp;gt;] Another shape is &amp;amp;quot;double curved&amp;amp;quot;, which resembles a section of a dome and is defined by incorporating curvature in the vertical – as well as horizontal – direction.[https://en.wikipedia.org/wiki/Dam#cite_note-83 &amp;lt;sup&amp;gt;[62]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
Regardless of the shape of an arch dam&amp;#039;s curvature, the arch must transfer the weight of the reservoir water into the valley walls. Arch dams can only be built in narrow valleys with strong, steep, rock walls that can withstand tremendous forces. In some dams, concrete [https://en.wikipedia.org/wiki/Abutment abutments] must be constructed between the arch and the valley walls to safely transfer the load.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-StrongWall-84 [63]][https://en.wikipedia.org/wiki/Dam#cite_note-abut-71 [r]]&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Vināyako Vighnarājo Dvaimāturagaṇādhipaḥ ।&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;विनायको विघ्नराजो द्वैमातुरगणाधिपः ।&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Apyekadanto Herambo Lambodaragajānanaḥ ॥ (Amarakośa 1.1.40–41) ॥&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;अप्येकदन्तो हेरम्बो लम्बोदरगजाननः ॥ अमरकोशः । स्वर्गादिकाण्डः १.१.४०–४१ ॥&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
विनायक, विघ्नराज, द्वैमातुर, गणाधिप, एकदन्त, हेरम्ब, लम्बोदर तथा गजानन - ये सभी भगवान् गणेश के नाम हैं।&lt;br /&gt;
&lt;br /&gt;
Vināyaka, Vighnarāja, Dvaimātura, Gaṇādhipa, Ekadanta, Heramba, Lambodara, and Gajānana are the epithets of Gaṇapati listed in the Amarakośa. [https://archive.org/details/in.ernet.dli.2015.446136/page/n223/mode/2up [1]]&lt;br /&gt;
&lt;br /&gt;
While the Amarakośa lists his many names, each epithet and iconography of Gaṇapati encodes metaphysical, cosmological, and philosophical meanings that are central to Indic thought. The Nārada Purāṇa [https://archive.org/details/brahma-vaivarta-purana-gitapress-hindi/page/n415/mode/2up [2]] praises him in the following verse:&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Praṇamya śirasā devaṁ gaurīputraṁ vināyakam ।&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;प्रणम्य शिरसा देवं गौरीपुत्रं विनायकम् ।&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Sources for studying Ganapati iconography&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
For an &amp;#039;&amp;#039;&amp;#039;Indian Knowledge Systems / Bharatiya Jnana Sarita&amp;#039;&amp;#039;&amp;#039; context, it is useful to distinguish three layers:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Śilpaśāstra and Āgama texts&amp;#039;&amp;#039;&amp;#039; — prescriptions concerning proportions, posture, attributes and ritual representation.&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Purāṇic and other textual traditions&amp;#039;&amp;#039;&amp;#039; — narratives and theological interpretations associated with different forms.&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Material and regional traditions&amp;#039;&amp;#039;&amp;#039; — sculptures, bronzes, paintings and temple images showing how these prescriptions were interpreted in different periods and regions.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;Elephant Head&lt;br /&gt;
&lt;br /&gt;
A long time ago on Mount Kailash, Parvati was alone in the home she shared with her husband, Shiva. Using her divine powers, she created Ganesh to keep her company while Shiva was away. One day she asked Ganesh to guard her door and not let anyone in while she bathed. As Ganesh stood guard, Shiva returned. Enraged upon being prevented from seeing his wife by a strange young boy, the quick-tempered Shiva beheaded Ganesh and his head flew far into the distance. Parvati was drawn out by the commotion and was understandably distraught on finding her child’s lifeless body on the floor. To appease his wife, Shiva found the first head he could and revived Ganesh. As a gesture of thanks for Ganesh’s bravery and loyalty, Shiva granted Ganesh with the gift of being worshipped first, before any other gods.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;collapse-ganesh-symbols&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
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&amp;lt;div id=&amp;quot;pravaha-collapse-1&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-1|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Ganesh Symbols&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;A plate of sweets at Ganesh’s feet symbolizes power and material wealth. He is often accompanied by his animal vehicle or &amp;#039;&amp;#039;vahana&amp;#039;&amp;#039;, a rat or mouse. On some rare occasions, Ganesh is shown with 5 heads. The seated Ganesh is preferred in homes where calm energy is usually sought, while businesses and workplaces may choose a standing or dancing rendition of Ganesh to invoke enthusiasm and vigor.&lt;br /&gt;
&lt;br /&gt;
Ganesha is a popular figure in [https://en.wikipedia.org/wiki/Indian_art Indian art].[https://en.wikipedia.org/wiki/Ganesha#cite_note-41 &amp;lt;sup&amp;gt;[41]&amp;lt;/sup&amp;gt;] Unlike those of some deities, representations of Ganesha show wide variations and distinct patterns changing over time.[https://en.wikipedia.org/wiki/Ganesha#cite_note-42 &amp;lt;sup&amp;gt;[42]&amp;lt;/sup&amp;gt;] He may be portrayed standing, dancing, heroically taking action against demons, playing with his family as a boy, sitting down on an elevated seat, or engaging in a range of contemporary situations.&lt;br /&gt;
&lt;br /&gt;
Ganesha images were prevalent in many parts of [https://en.wikipedia.org/wiki/India India] by the 6th century.[https://en.wikipedia.org/wiki/Ganesha#cite_note-43 &amp;lt;sup&amp;gt;[43]&amp;lt;/sup&amp;gt;] The 13th-century statue pictured is typical of Ganesha statuary from 900 to 1200, after Ganesha had been well-established as an independent deity with his own sect. This example features some of Ganesha&amp;#039;s common iconographic elements. A virtually identical statue has been dated between 973 and 1200 by Paul Martin-Dubost,[https://en.wikipedia.org/wiki/Ganesha#cite_note-44 &amp;lt;sup&amp;gt;[44]&amp;lt;/sup&amp;gt;] and another similar statue is dated 12th century by Pratapaditya Pal.[https://en.wikipedia.org/wiki/Ganesha#cite_note-45 &amp;lt;sup&amp;gt;[45]&amp;lt;/sup&amp;gt;] Ganesha has the head of an elephant and a big belly. This statue has four arms, which is common in depictions of Ganesha. He holds his own broken tusk in his lower-right hand and holds a delicacy, which he samples with his trunk, in his lower-left hand. The motif of Ganesha turning his trunk sharply to his left to taste a sweet in his lower-left hand is a particularly archaic feature.[https://en.wikipedia.org/wiki/Ganesha#cite_note-46 &amp;lt;sup&amp;gt;[46]&amp;lt;/sup&amp;gt;] A more primitive statue in one of the [https://en.wikipedia.org/wiki/Ellora_Caves Ellora Caves] with this general form has been dated to the 7th century.[https://en.wikipedia.org/wiki/Ganesha#cite_note-47 &amp;lt;sup&amp;gt;[47]&amp;lt;/sup&amp;gt;] Details of the other hands are difficult to make out on the statue shown. In the standard configuration, Ganesha typically holds an [https://en.wikipedia.org/wiki/Parashu axe] or a [https://en.wikipedia.org/wiki/Ankus goad] in one upper arm and a [https://en.wikipedia.org/wiki/Pasha_(Hinduism) pasha] ([https://en.wikipedia.org/wiki/Noose noose]) in the other upper arm. In rare instances, he may be depicted with a human head.[https://en.wikipedia.org/wiki/Ganesha#cite_note-51 &amp;lt;sup&amp;gt;[note 1]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
The influence of this old constellation of iconographic elements can still be seen in contemporary representations of Ganesha. In one modern form, the only variation from these old elements is that the lower-right hand does not hold the broken tusk but is turned towards the viewer in a gesture of protection or fearlessness (Abhaya [https://en.wikipedia.org/wiki/Mudra mudra]).[https://en.wikipedia.org/wiki/Ganesha#cite_note-52 &amp;lt;sup&amp;gt;[51]&amp;lt;/sup&amp;gt;] The same combination of four arms and attributes occurs in statues of Ganesha dancing, which is a very popular theme.[https://en.wikipedia.org/wiki/Ganesha#cite_note-53 &amp;lt;sup&amp;gt;[52]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
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&amp;lt;/div&amp;gt;&lt;br /&gt;
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			<title>Demo videoa</title>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;!-- BJS_ARTICLE_METADATA_START&lt;br /&gt;
sourceArticleId=35&lt;br /&gt;
title=Demo videoa&lt;br /&gt;
category=History &amp;amp;amp; Civilization/Itihāsa &amp;amp;amp; Sabhyatā&lt;br /&gt;
author=Neeraja K&lt;br /&gt;
language=English&lt;br /&gt;
languageCode=en&lt;br /&gt;
originalLanguage=&lt;br /&gt;
articleType=Original Beginner&lt;br /&gt;
difficultyLevel=Advanced&lt;br /&gt;
createdAt=2026-11-03 16:45:27&lt;br /&gt;
updatedAt=2026-11-03T11:32:09Z&lt;br /&gt;
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__NOEDITSECTION__&lt;br /&gt;
{{DISPLAYTITLE:Demo videoa}}&lt;br /&gt;
{| class=&amp;quot;infobox&amp;quot; style=&amp;quot;float:right; clear:right; width:300px; max-width:300px; margin:0 0 1em 1em; border:1px solid #a2a9b1; background:#f8f9fa; font-size:90%; table-layout:fixed; border-collapse:collapse; border-spacing:0;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; style=&amp;quot;padding:0; background:#fff; text-align:center;&amp;quot; |&lt;br /&gt;
[[File:BJS_35_F829_6ae9c36d1303a.png|center|298px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px; width:35%;&amp;quot; | Title&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Demo videoa&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Author(s)&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Neeraja K&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Platform&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Bharatiya Jnana Sarita&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Categories&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | History &amp;amp; Civilization/Itihāsa &amp;amp; Sabhyatā&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Year&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | 2026&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Type of Article&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Original Beginner&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Difficulty Level&lt;br /&gt;
| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Advanced&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| id=&amp;quot;pravaha-abstract&amp;quot; role=&amp;quot;region&amp;quot; aria-label=&amp;quot;Summary&amp;quot; class=&amp;quot;bjs-abstract-panel&amp;quot; style=&amp;quot;float:right; clear:right; width:300px; max-width:300px; box-sizing:border-box; margin:0 0 1em 1em; border:1px solid #d6a9bc; border-collapse:separate; border-spacing:0; background:#fff7fa; color:#202122;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! class=&amp;quot;bjs-abstract-heading&amp;quot; style=&amp;quot;padding:8px 12px; background:#efcddd; color:#202122; text-align:left; font-size:1.15em; font-weight:700;&amp;quot; | &amp;lt;span class=&amp;quot;bjs-abstract-controls&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;bjs-abstract-open&amp;quot;&amp;gt;[[#pravaha-abstract|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;bjs-abstract-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Summary&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
|- class=&amp;quot;bjs-abstract-content-row&amp;quot;&lt;br /&gt;
| style=&amp;quot;padding:14px 16px; background:#fff7fa; text-align:left; line-height:1.65; overflow-wrap:anywhere;&amp;quot; | &amp;lt;div class=&amp;quot;bjs-abstract-preview&amp;quot;&amp;gt;This demonstration study presents a fictional analysis of digital tools used in academic workflows. It illustrates how researchers can organize…&amp;lt;/div&amp;gt;&amp;lt;div class=&amp;quot;bjs-abstract-full&amp;quot;&amp;gt;This demonstration study presents a fictional analysis of digital tools used in academic workflows. It illustrates how researchers can organize information, prepare manuscripts, and submit their work through an online journal platform. A simulated dataset of 100 responses was used to demonstrate descriptive analysis and the presentation of results. The fictional findings suggest that structured digital workflows may improve task completion and ease of use. This abstract is intended solely for a tutorial video demonstrating manuscript submission. It does not report actual research, participant data, or validated findings.&amp;lt;/div&amp;gt;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
The name Gaṇapati means ‘Lord of all Gaṇas’ or ‘Lord of All Living Beings’. As one of the most revered deities of Sanātana Dharma, Gaṇapati is also known by names like Gaṇeśa, Vināyaka, and Vighneśvara across the world. This elephant-faced younger son of Devī Pārvati and Bhagavān Śiva is also hailed as the Vighnarāja or ‘Lord of Obstacles’.&lt;br /&gt;
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However, Gaṇapati thought long and hard, then performed a circumambulation around Devī Gaurī and Bhagavān Śiva, stating that ‘his’ entire world comprised his parents, and so a parikramā of them met the terms of the competition. Bhagavān Śiva and Devī Gaurī accepted his indisputable logic and devotion towards them. Hence, they granted him not only victory, supremacy, or the right to get married first, but also the right to be worshipped first. This paurāṇika tale explains why Gaṇapati’s image often appears in temples, homes, gateways, and other places of importance.&lt;br /&gt;
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Epithets of Gaṇapati&lt;br /&gt;
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Gaṇapati is most commonly worshipped as Vighnarāja or ‘Lord of Obstacles,’ as he fulfills his duty to facilitate the devas and hinder the asuras in yajña, sacrifices, or virtuous acts to gain boons.&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Gravity dam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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&amp;#039;&amp;#039;Main article: [https://en.wikipedia.org/wiki/Gravity_dam Gravity dam]&amp;#039;&amp;#039;&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Gravity dams&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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[[File:BJS_35_image1.png|200x141px|A diagram showing the cross-section of a typical gravity dam.]]&lt;br /&gt;
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A typical [https://en.wikipedia.org/wiki/Gravity_dam gravity dam] has a nearly vertical upstream face, and a broad base.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-FOOTNOTESchnitter1994170%E2%80%93172-34 [28]][https://en.wikipedia.org/wiki/Dam#cite_note-35 [g]]&amp;lt;/sup&amp;gt;&lt;br /&gt;
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[[File:BJS_35_image2.jpeg|200x113px|A massive concrete dam with a reservoir behind it.]]&lt;br /&gt;
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[https://en.wikipedia.org/wiki/Grande_Dixence_Dam Grande Dixence Dam] in Switzerland is one of the [https://en.wikipedia.org/wiki/List_of_tallest_dams world&amp;#039;s tallest gravity dams]. The people atop the dam&amp;#039;s crest illustrate its size.[https://en.wikipedia.org/wiki/Dam#cite_note-FOOTNOTE%22Grande_Dixence_Fact_Sheet%22,_&amp;#039;&amp;#039;Grande_Dixence_SA&amp;#039;&amp;#039;-36 &amp;lt;sup&amp;gt;[29]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
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Gravity dams rely on their weight to resist the force of upstream water. Historically, gravity dams were built of masonry – stone, brick, or rubble – held together by [https://en.wikipedia.org/wiki/Mortar_(masonry) mortar], but nearly all modern examples are made of concrete.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-37 [30]][https://en.wikipedia.org/wiki/Dam#cite_note-39 [h]]&amp;lt;/sup&amp;gt; The cost of concrete is much higher than earthfill used in embankment dams, so gravity dams are generally more expensive. An approach to reduce cost is to incorporate hollow chambers inside the dam – provided the dam&amp;#039;s stability and strength are not compromised.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-40 [32]][https://en.wikipedia.org/wiki/Dam#cite_note-galleries-42 [i]]&amp;lt;/sup&amp;gt; Notable gravity dams include [https://en.wikipedia.org/wiki/Grande_Dixence_Dam Grande Dixence Dam] and [https://en.wikipedia.org/wiki/Grand_Coulee_Dam Grand Coulee Dam].[https://en.wikipedia.org/wiki/Dam#cite_note-43 &amp;lt;sup&amp;gt;[34]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
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The crest (top) of a gravity dam is generally a straight line stretching between the walls of the valley it crosses. When the crest is curved (the convex side of the curve always faces upstream) it is called an [https://en.wikipedia.org/wiki/Arch-gravity_dam arch-gravity dam] (discussed [https://en.wikipedia.org/wiki/Dam#Composite below]).&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-gravDamStraight-44 [35]][https://en.wikipedia.org/wiki/Dam#cite_note-46 [j]][https://en.wikipedia.org/wiki/Dam#cite_note-archThickness-47 [k]]&amp;lt;/sup&amp;gt; The [https://en.wikipedia.org/wiki/Cross_section_(geometry) cross-section] of gravity dams is roughly triangular, with a flat bottom resting on the valley floor, and two inclined faces (upstream and downstream) that meet at the crest.[https://en.wikipedia.org/wiki/Dam#cite_note-49 &amp;lt;sup&amp;gt;[l]&amp;lt;/sup&amp;gt;] To ensure that the dam is stable and will not tip over, the profile must conform to the [https://en.wikipedia.org/wiki/Middle-third_rule middle-third rule], which states that the forces acting on the dam (gravity, water pressure, etc.) must produce a net force that is directed at the middle portion of the base (rather than directed near the downstream edge of the base).[https://en.wikipedia.org/wiki/Dam#cite_note-FOOTNOTESiddiqui2009148,_151%E2%80%93152-50 &amp;lt;sup&amp;gt;[38]&amp;lt;/sup&amp;gt;] The thickness and inclination of a gravity dam must also be carefully designed to ensure stability. For non-overflow gravity dams, the thickness of the base should be about 70 to 85% of the height.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-51 [39]][https://en.wikipedia.org/wiki/Dam#cite_note-thick-52 [m]]&amp;lt;/sup&amp;gt; The inclination (steepness, measured as run/rise) of the downstream face is typically 0.75 to 0.8, and inclination of the upstream face should be vertical or at most 0.05.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-53 [40]][https://en.wikipedia.org/wiki/Dam#cite_note-inclination-55 [n]]&amp;lt;/sup&amp;gt;&lt;br /&gt;
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Because gravity dams are so heavy, they must rest on bedrock; a gravity dam built over soil would compress the soil, cause the dam to settle, and perhaps crack and fail.[https://en.wikipedia.org/wiki/Dam#cite_note-57 &amp;lt;sup&amp;gt;[o]&amp;lt;/sup&amp;gt;] If the bedrock has cracks or defects, it must be prepared by injecting grout or placing concrete plugs.[https://en.wikipedia.org/wiki/Dam#cite_note-58 &amp;lt;sup&amp;gt;[43]&amp;lt;/sup&amp;gt;] A concern that designers must address is &amp;amp;quot;uplift&amp;amp;quot;: if water seeps under the dam structure, the water pressure can apply extreme upward force on the dam structure, which may lead to leaks or even dam failure. This risk can be mitigated with the use of [https://en.wikipedia.org/wiki/Grout_curtain grout curtains] under the dam (which prevent water from seeping under the dam) and drainage systems under the dam, which lead water away when pressure increases.[https://en.wikipedia.org/wiki/Dam#cite_note-59 &amp;lt;sup&amp;gt;[44]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Buttress dam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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&amp;#039;&amp;#039;Main article: [https://en.wikipedia.org/wiki/Buttress_dam Buttress dam]&amp;#039;&amp;#039;&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Buttress dams&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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[[File:BJS_35_image3.png|200x141px|A diagram showing the cross-section of a typical buttress dam.]]&lt;br /&gt;
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A [https://en.wikipedia.org/wiki/Buttress_dam buttress dam] has an inclined upstream face supported by multiple buttresses.[https://en.wikipedia.org/wiki/Dam#cite_note-Buttress-60 &amp;lt;sup&amp;gt;[45]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
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[[File:BJS_35_image4.jpeg|200x133px|A huge concrete dam with trees at its base.]]&lt;br /&gt;
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About 20 buttresses are visible in this photo of [https://en.wikipedia.org/wiki/Latyan_Dam Latyan buttress dam] in Iran.[https://en.wikipedia.org/wiki/Dam#cite_note-FOOTNOTEScott1968353-61 &amp;lt;sup&amp;gt;[46]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
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A buttress dam consists of an inclined upstream face supported on the downstream side by numerous triangular [https://en.wikipedia.org/wiki/Buttress buttresses].[https://en.wikipedia.org/wiki/Dam#cite_note-63 &amp;lt;sup&amp;gt;[p]&amp;lt;/sup&amp;gt;] Most buttress dams are made of concrete.[https://en.wikipedia.org/wiki/Dam#cite_note-64 &amp;lt;sup&amp;gt;[48]&amp;lt;/sup&amp;gt;] Unlike a gravity dam (where the upstream face is nearly vertical) the upstream face of a buttress dam is sloped, typically with an inclination between 0.2 and 1.67.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-Buttress-60 [45]][https://en.wikipedia.org/wiki/Dam#cite_note-inclination-55 [n]]&amp;lt;/sup&amp;gt; The inclination of the downstream face typically ranges from 0.09 to 0.8.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-Buttress-60 [45]][https://en.wikipedia.org/wiki/Dam#cite_note-inclination-55 [n]]&amp;lt;/sup&amp;gt; The triangular profile of the reservoir&amp;#039;s water pushes downward onto the dam, forcing it into the ground and increasing its stability.[https://en.wikipedia.org/wiki/Dam#cite_note-Buttress-60 &amp;lt;sup&amp;gt;[45]&amp;lt;/sup&amp;gt;] Notable buttress dams include [https://en.wikipedia.org/wiki/Itaipu_Dam Itaipu Dam], [https://en.wikipedia.org/wiki/Lago_di_Lucendro Lucendro Dam], and [https://en.wikipedia.org/wiki/Al_Massira_Dam Al Massira Dam].[https://en.wikipedia.org/wiki/Dam#cite_note-65 &amp;lt;sup&amp;gt;[49]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
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Buttress dams use much less concrete than comparable gravity dams, but the cost savings are offset by a more complex construction process.[https://en.wikipedia.org/wiki/Dam#cite_note-67 &amp;lt;sup&amp;gt;[q]&amp;lt;/sup&amp;gt;] Buttress dams are not as strong as gravity dams, and are suited only for lower heights. Because buttress dams have a much smaller footprint (the area of ground the dam structure rests upon) than gravity dams, the risks associated with uplift forces (from water beneath the dam) are lower in buttress dams.[https://en.wikipedia.org/wiki/Dam#cite_note-68 &amp;lt;sup&amp;gt;[51]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
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The individual buttresses may experience slight movements relative to each other. If the upstream face of the dam were a solid piece of concrete, the movements of the buttresses could introduce large stresses, resulting in cracking of the upstream dam face. To mitigate this, the upstream face is divided into multiple pieces, one per buttress, called the &amp;amp;quot;buttress heads&amp;amp;quot;. Adjacent buttress heads are typically separated by a gap, and the gaps are filled with flexible seals.[https://en.wikipedia.org/wiki/Dam#cite_note-GapSeal-69 &amp;lt;sup&amp;gt;[52]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Arch dam&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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&amp;#039;&amp;#039;Main article: [https://en.wikipedia.org/wiki/Arch_dam Arch dam]&amp;#039;&amp;#039;&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Arch dams&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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[[File:BJS_35_image5.png|200x184px|A diagram, in plan view, of a typical arch dam.]]&lt;br /&gt;
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[https://en.wikipedia.org/wiki/Arch_dam Arch dams] transmit the weight of impounded water into the valley walls.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-ArchCurve-70 [53]][https://en.wikipedia.org/wiki/Dam#cite_note-abut-71 [r]]&amp;lt;/sup&amp;gt;&lt;br /&gt;
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[[File:BJS_35_image6.jpeg|200x150px|A thin, curved, concrete dam, impounding a large reservoir.]]&lt;br /&gt;
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[https://en.wikipedia.org/wiki/Gordon_Dam This arch dam] in Tasmania is curved in both the vertical and horizontal directions.[https://en.wikipedia.org/wiki/Dam#cite_note-FOOTNOTE%22Gordon_Dam%22,_&amp;#039;&amp;#039;Engineers_Australia&amp;#039;&amp;#039;-72 &amp;lt;sup&amp;gt;[54]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
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An arch dam is a curved concrete structure that transfers the force of the impounded water horizontally into the valley walls. This design differs from gravity or buttress dams, which transfer the force downward into the foundation.[https://en.wikipedia.org/wiki/Dam#cite_note-ArchCurve-70 &amp;lt;sup&amp;gt;[53]&amp;lt;/sup&amp;gt;] Arch dams are relatively thin: the thickness of their base is less than half their height,[https://en.wikipedia.org/wiki/Dam#cite_note-archThickness-47 &amp;lt;sup&amp;gt;[k]&amp;lt;/sup&amp;gt;] and they are made of masonry or concrete.[https://en.wikipedia.org/wiki/Dam#cite_note-ArchConcrete-74 &amp;lt;sup&amp;gt;[56]&amp;lt;/sup&amp;gt;] The central angle subtended by an arch dam can be relatively shallow or nearly semicircular, ranging from 46 to 140 degrees.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-75 [57]][https://en.wikipedia.org/wiki/Dam#cite_note-77 [s]]&amp;lt;/sup&amp;gt; Notable arch dams include [https://en.wikipedia.org/wiki/Lac_de_l&amp;#039;Hongrin Hongrin Dam], [https://en.wikipedia.org/wiki/Flaming_Gorge_Dam Flaming Gorge Dam], [https://en.wikipedia.org/wiki/Moiry_Dam Moiry Dam], and [https://en.wikipedia.org/wiki/Contra_Dam Contra Dam].[https://en.wikipedia.org/wiki/Dam#cite_note-78 &amp;lt;sup&amp;gt;[59]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
All arch dams are curved, but there are a variety of shapes they may assume. Most older arch dams used a &amp;amp;quot;constant radius&amp;amp;quot; shape, which resembles a section of a vertical cylinder.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-79 [60]][https://en.wikipedia.org/wiki/Dam#cite_note-80 [t]]&amp;lt;/sup&amp;gt; A more complex shape is the &amp;amp;quot;constant angle&amp;amp;quot; shape, which gradually reduces radius from the crest to the base.[https://en.wikipedia.org/wiki/Dam#cite_note-82 &amp;lt;sup&amp;gt;[u]&amp;lt;/sup&amp;gt;] Research into optimizing dam shapes for maximum strength led dam engineers to adopt the constant angle shape for many arch dams, beginning in 1914.[https://en.wikipedia.org/wiki/Dam#cite_note-ConstAngle-81 &amp;lt;sup&amp;gt;[61]&amp;lt;/sup&amp;gt;] Another shape is &amp;amp;quot;double curved&amp;amp;quot;, which resembles a section of a dome and is defined by incorporating curvature in the vertical – as well as horizontal – direction.[https://en.wikipedia.org/wiki/Dam#cite_note-83 &amp;lt;sup&amp;gt;[62]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
Regardless of the shape of an arch dam&amp;#039;s curvature, the arch must transfer the weight of the reservoir water into the valley walls. Arch dams can only be built in narrow valleys with strong, steep, rock walls that can withstand tremendous forces. In some dams, concrete [https://en.wikipedia.org/wiki/Abutment abutments] must be constructed between the arch and the valley walls to safely transfer the load.&amp;lt;sup&amp;gt;[https://en.wikipedia.org/wiki/Dam#cite_note-StrongWall-84 [63]][https://en.wikipedia.org/wiki/Dam#cite_note-abut-71 [r]]&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Vināyako Vighnarājo Dvaimāturagaṇādhipaḥ ।&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;विनायको विघ्नराजो द्वैमातुरगणाधिपः ।&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Apyekadanto Herambo Lambodaragajānanaḥ ॥ (Amarakośa 1.1.40–41) ॥&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;अप्येकदन्तो हेरम्बो लम्बोदरगजाननः ॥ अमरकोशः । स्वर्गादिकाण्डः १.१.४०–४१ ॥&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
विनायक, विघ्नराज, द्वैमातुर, गणाधिप, एकदन्त, हेरम्ब, लम्बोदर तथा गजानन - ये सभी भगवान् गणेश के नाम हैं।&lt;br /&gt;
&lt;br /&gt;
Vināyaka, Vighnarāja, Dvaimātura, Gaṇādhipa, Ekadanta, Heramba, Lambodara, and Gajānana are the epithets of Gaṇapati listed in the Amarakośa. [https://archive.org/details/in.ernet.dli.2015.446136/page/n223/mode/2up [1]]&lt;br /&gt;
&lt;br /&gt;
While the Amarakośa lists his many names, each epithet and iconography of Gaṇapati encodes metaphysical, cosmological, and philosophical meanings that are central to Indic thought. The Nārada Purāṇa [https://archive.org/details/brahma-vaivarta-purana-gitapress-hindi/page/n415/mode/2up [2]] praises him in the following verse:&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Praṇamya śirasā devaṁ gaurīputraṁ vināyakam ।&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;प्रणम्य शिरसा देवं गौरीपुत्रं विनायकम् ।&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Sources for studying Ganapati iconography&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
For an &amp;#039;&amp;#039;&amp;#039;Indian Knowledge Systems / Bharatiya Jnana Sarita&amp;#039;&amp;#039;&amp;#039; context, it is useful to distinguish three layers:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Śilpaśāstra and Āgama texts&amp;#039;&amp;#039;&amp;#039; — prescriptions concerning proportions, posture, attributes and ritual representation.&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Purāṇic and other textual traditions&amp;#039;&amp;#039;&amp;#039; — narratives and theological interpretations associated with different forms.&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Material and regional traditions&amp;#039;&amp;#039;&amp;#039; — sculptures, bronzes, paintings and temple images showing how these prescriptions were interpreted in different periods and regions.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;Elephant Head&lt;br /&gt;
&lt;br /&gt;
A long time ago on Mount Kailash, Parvati was alone in the home she shared with her husband, Shiva. Using her divine powers, she created Ganesh to keep her company while Shiva was away. One day she asked Ganesh to guard her door and not let anyone in while she bathed. As Ganesh stood guard, Shiva returned. Enraged upon being prevented from seeing his wife by a strange young boy, the quick-tempered Shiva beheaded Ganesh and his head flew far into the distance. Parvati was drawn out by the commotion and was understandably distraught on finding her child’s lifeless body on the floor. To appease his wife, Shiva found the first head he could and revived Ganesh. As a gesture of thanks for Ganesh’s bravery and loyalty, Shiva granted Ganesh with the gift of being worshipped first, before any other gods.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;span id=&amp;quot;collapse-ganesh-symbols&amp;quot;&amp;gt;&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div id=&amp;quot;pravaha-collapse-1&amp;quot; class=&amp;quot;pravaha-collapse&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-title&amp;quot;&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-open&amp;quot;&amp;gt;[[#pravaha-collapse-1|+]]&amp;lt;/span&amp;gt;&amp;lt;span class=&amp;quot;pravaha-collapse-close&amp;quot;&amp;gt;[[#mw-content-text|-]]&amp;lt;/span&amp;gt;&amp;lt;span&amp;gt;Ganesh Symbols&amp;lt;/span&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div class=&amp;quot;pravaha-collapse-content&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;A plate of sweets at Ganesh’s feet symbolizes power and material wealth. He is often accompanied by his animal vehicle or &amp;#039;&amp;#039;vahana&amp;#039;&amp;#039;, a rat or mouse. On some rare occasions, Ganesh is shown with 5 heads. The seated Ganesh is preferred in homes where calm energy is usually sought, while businesses and workplaces may choose a standing or dancing rendition of Ganesh to invoke enthusiasm and vigor.&lt;br /&gt;
&lt;br /&gt;
Ganesha is a popular figure in [https://en.wikipedia.org/wiki/Indian_art Indian art].[https://en.wikipedia.org/wiki/Ganesha#cite_note-41 &amp;lt;sup&amp;gt;[41]&amp;lt;/sup&amp;gt;] Unlike those of some deities, representations of Ganesha show wide variations and distinct patterns changing over time.[https://en.wikipedia.org/wiki/Ganesha#cite_note-42 &amp;lt;sup&amp;gt;[42]&amp;lt;/sup&amp;gt;] He may be portrayed standing, dancing, heroically taking action against demons, playing with his family as a boy, sitting down on an elevated seat, or engaging in a range of contemporary situations.&lt;br /&gt;
&lt;br /&gt;
Ganesha images were prevalent in many parts of [https://en.wikipedia.org/wiki/India India] by the 6th century.[https://en.wikipedia.org/wiki/Ganesha#cite_note-43 &amp;lt;sup&amp;gt;[43]&amp;lt;/sup&amp;gt;] The 13th-century statue pictured is typical of Ganesha statuary from 900 to 1200, after Ganesha had been well-established as an independent deity with his own sect. This example features some of Ganesha&amp;#039;s common iconographic elements. A virtually identical statue has been dated between 973 and 1200 by Paul Martin-Dubost,[https://en.wikipedia.org/wiki/Ganesha#cite_note-44 &amp;lt;sup&amp;gt;[44]&amp;lt;/sup&amp;gt;] and another similar statue is dated 12th century by Pratapaditya Pal.[https://en.wikipedia.org/wiki/Ganesha#cite_note-45 &amp;lt;sup&amp;gt;[45]&amp;lt;/sup&amp;gt;] Ganesha has the head of an elephant and a big belly. This statue has four arms, which is common in depictions of Ganesha. He holds his own broken tusk in his lower-right hand and holds a delicacy, which he samples with his trunk, in his lower-left hand. The motif of Ganesha turning his trunk sharply to his left to taste a sweet in his lower-left hand is a particularly archaic feature.[https://en.wikipedia.org/wiki/Ganesha#cite_note-46 &amp;lt;sup&amp;gt;[46]&amp;lt;/sup&amp;gt;] A more primitive statue in one of the [https://en.wikipedia.org/wiki/Ellora_Caves Ellora Caves] with this general form has been dated to the 7th century.[https://en.wikipedia.org/wiki/Ganesha#cite_note-47 &amp;lt;sup&amp;gt;[47]&amp;lt;/sup&amp;gt;] Details of the other hands are difficult to make out on the statue shown. In the standard configuration, Ganesha typically holds an [https://en.wikipedia.org/wiki/Parashu axe] or a [https://en.wikipedia.org/wiki/Ankus goad] in one upper arm and a [https://en.wikipedia.org/wiki/Pasha_(Hinduism) pasha] ([https://en.wikipedia.org/wiki/Noose noose]) in the other upper arm. In rare instances, he may be depicted with a human head.[https://en.wikipedia.org/wiki/Ganesha#cite_note-51 &amp;lt;sup&amp;gt;[note 1]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
The influence of this old constellation of iconographic elements can still be seen in contemporary representations of Ganesha. In one modern form, the only variation from these old elements is that the lower-right hand does not hold the broken tusk but is turned towards the viewer in a gesture of protection or fearlessness (Abhaya [https://en.wikipedia.org/wiki/Mudra mudra]).[https://en.wikipedia.org/wiki/Ganesha#cite_note-52 &amp;lt;sup&amp;gt;[51]&amp;lt;/sup&amp;gt;] The same combination of four arms and attributes occurs in statues of Ganesha dancing, which is a very popular theme.[https://en.wikipedia.org/wiki/Ganesha#cite_note-53 &amp;lt;sup&amp;gt;[52]&amp;lt;/sup&amp;gt;]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
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			<title>Dhvaja and its Role in Bhāratīya Civilisation</title>
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:21, 2 November 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;createdAt=2026-10-29 23:25:15&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;createdAt=2026-10-29 23:25:15&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;clickCount=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;clickCount=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;fileType=docx&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;fileType=docx&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l45&quot;&gt;Line 45:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 45:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Difficulty Level&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;text-align:left; vertical-align:top; font-weight:bold; padding:4px 6px;&amp;quot; | Difficulty Level&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Advanced&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| style=&amp;quot;vertical-align:top; padding:4px 6px;&amp;quot; | Advanced&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| colspan=&quot;2&quot; style=&quot;padding:0; background:#f8f9fa;&quot; | &amp;lt;div style=&quot;height:16px;&quot;&amp;gt;&amp;lt;/div&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;/table&gt;</description>
			<pubDate>Mon, 02 Nov 2026 10:21:59 GMT</pubDate>
			<dc:creator>Bjsbot</dc:creator>
			<comments>https://hi.ikswiki.in/index.php?title=Talk:Dhvaja_and_its_Role_in_Bh%C4%81rat%C4%ABya_Civilisation</comments>
		</item>
		<item>
			<title>File:BJS 33 F825 6ae3896a15b02.mp4</title>
			<link>https://hi.ikswiki.in/index.php?title=File:BJS_33_F825_6ae3896a15b02.mp4&amp;diff=321&amp;oldid=0</link>
			<guid isPermaLink="false">https://hi.ikswiki.in/index.php?title=File:BJS_33_F825_6ae3896a15b02.mp4&amp;diff=321&amp;oldid=0</guid>
			<description>&lt;p&gt;&lt;a href=&quot;/index.php?title=User:Bjsbot&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new mw-userlink&quot; title=&quot;User:Bjsbot (page does not exist)&quot;&gt;&lt;bdi&gt;Bjsbot&lt;/bdi&gt;&lt;/a&gt; uploaded &lt;a href=&quot;/index.php?title=File:BJS_33_F825_6ae3896a15b02.mp4&quot; title=&quot;File:BJS 33 F825 6ae3896a15b02.mp4&quot;&gt;File:BJS 33 F825 6ae3896a15b02.mp4&lt;/a&gt; BJS upload&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;BJS upload&lt;/div&gt;</description>
			<pubDate>Mon, 02 Nov 2026 10:21:53 GMT</pubDate>
			<dc:creator>Bjsbot</dc:creator>
			<comments>https://hi.ikswiki.in/index.php?title=File_talk:BJS_33_F825_6ae3896a15b02.mp4</comments>
		</item>
		<item>
			<title>Dhvaja and its Role in Bhāratīya Civilisation</title>
			<link>https://hi.ikswiki.in/index.php?title=Dhvaja_and_its_Role_in_Bh%C4%81rat%C4%ABya_Civilisation&amp;diff=320&amp;oldid=314</link>
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			<description>&lt;p&gt;BJS: convert (MAIN)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:09, 2 November 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;4&quot; class=&quot;diff-multi&quot; lang=&quot;en&quot;&gt;(5 intermediate revisions by the same user not shown)&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;difficultyLevel=Advanced&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;difficultyLevel=Advanced&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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			<pubDate>Mon, 02 Nov 2026 10:09:51 GMT</pubDate>
			<dc:creator>Bjsbot</dc:creator>
			<comments>https://hi.ikswiki.in/index.php?title=Talk:Dhvaja_and_its_Role_in_Bh%C4%81rat%C4%ABya_Civilisation</comments>
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